Your search found 231 results in 1 resource
of universal history, from the creation of the world to the death of the Emperor Henry VII (d. 1314).Copy of Venice, Biblioteca Marciana, lat. Z 399, containing the canonization of Thomas Aquinas in 1323 (see Degenhart and Schmitt 1973).Bought by
of universal history, from the creation of the world to the death of the Emperor Henry VII (d. 1314).Copy of Venice, Biblioteca Marciana, lat. Z 399, containing the canonization of Thomas Aquinas in 1323 (see Degenhart and Schmitt 1973).Bought by
of universal history, from the creation of the world to the death of the Emperor Henry VII (d. 1314).Copy of Venice, Biblioteca Marciana, lat. Z 399, containing the canonization of Thomas Aquinas in 1323 (see Degenhart and Schmitt 1973).Bought by
1855, lot 2249/1 (f. 3v); lot purchased for £3 18s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Leonardo Loredan to Antonio Foscarini Benedetto Bordon Venice Italy, N. E. (Venice)
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
the doge Leonardo Loredan to Francesco Barbarigo as ~podestà~ and captain of Feltre (index Commissione dogali) Leonardo Loredan, doge of Venice, inscribed, 'Data in nostro ducali palatio die xij Februarij indictionum (?)... M.D.XV' (with a notarial signature) (f. 21).Francisco Barbarigo,
104-108 (from Udine 1563, Trient 1572, Venice 1573, and Innsbruck 1568); Dieter and Johanna Harlfinger, ~Wasserzeichen aus griechischen Handschriften~ (Berlin: N. Mielke, 1974-1980), nos. 67 (scribe: Antonios Eparchos, 1567), 77 (Meteora, 1570), 78 (Venice, 1560). Miniature of Constantine the Great
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Decorated initial and border Venice Italy, N. (Venice)
leaf verso; its book-plate with the pencil inscription: ‘XIII.1.22’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Virgin and Child with patron Venice Italy, N. E. (Venice)
and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70 and app. no. 14); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414.Musical notation. 2 historiated
hand of the mid-12th century contains a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the Emperor Frederick I were reconciled (f. 188). Marginal pencil drawings representing the Virgin
a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the Emperor Frederick I were reconciled (f. 188). Marginal pencil drawings representing the Virgin and Child (f. 75), the Crucifixion
mid-12th century contains a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the Emperor Frederick I were reconciled (f. 188). Marginal pencil drawings representing the Virgin and Child (f.
Mielke, 1974-1980), 'Chapeau' nos. 75-79 (Rome 1537; scribe Georgios Tryphon, 1548 and 1549; scribe Ioasaph 1547; scribe Andreas Darmarios at Venice, 1565). Headpieces with geometric or foliate decoration in red, effaced (ff. 115, 219). Decorated initials and titles in light
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd