• Music to Kyrie Eleison and St Godric's Hymns., Epistola and Apologia

Beverley] (ff. 8v-10); to Peter, Cardinal-deacon (ff. 10-11); to G[aufridus], Abbot of St. Mary of York (ff. 11-11v) and (ff. 11v-12); to Turstan, Archbishop of York (f. 12);; to R[ichard], Abbot of Fountains(ff. 12-12v); to David, King of the Scots

• Music to Kyrie Eleison and St Godric's Hymns in English., Epistola and Apologia

Beverley] (ff. 8v-10); to Peter, Cardinal-deacon (ff. 10-11); to G[aufridus], Abbot of St. Mary of York (ff. 11-11v) and (ff. 11v-12); to Turstan, Archbishop of York (f. 12);; to R[ichard], Abbot of Fountains(ff. 12-12v); to David, King of the Scots

• Decorated initial 'Q'(uae) in Ovid's Epistolae ex Ponto., Epistolae ex Ponto

both colours. Epistolae ex Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri | [..?]eff’ (f.

• Initial 'N'(aso) and inscription of Roger Twysden, at the beginning of Ovid's Epistolae ex Ponto., Epistolae ex Ponto

green, red, or both colours. Epistolae ex Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri

• Decorated initial 'R'(edditus) in Ovid's Epistolae ex Ponto., Epistolae ex Ponto

both colours. Epistolae ex Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri | [..?]eff’ (f.

• Decorated initial 'R'(edditus) in Ovid's Epistolae ex Ponto., Epistolae ex Ponto

both colours. Epistolae ex Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri | [..?]eff’ (f.

• Decorated initial 'Q'(uae) in Ovid's Epistolae ex Ponto., Epistolae ex Ponto

both colours. Epistolae ex Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri | [..?]eff’ (f.

• Text page., Bifolium from Aelfric's 'Grammar', cropped

Herte (d. 1467), barber-surgeon in London: his name on the upper margin of f. 25, originally f. 107 in New York, Academy of Medicine, MS. 12 (see Wallner 1988).Entire collection:John Bagford (b. 1650/51, d. 1716), bookseller and antiquary: part of

• Text page., Leaf from Justinus's 'Epitome historiarum Trogi Pompeii', cropped

Herte (d. 1467), barber-surgeon in London: his name on the upper margin of f. 25, originally f. 107 in New York, Academy of Medicine, MS. 12 (see Wallner 1988).Entire collection:John Bagford (b. 1650/51, d. 1716), bookseller and antiquary: part of

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.