• Detail of marginal drawings for Passover with Judeo-Italian captions., Prayer book, Italian rite

censor (fl. in Urbino): inscribed with his name, 1688 (f. 182v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Heinrich Eisemann, bookseller: brought from him by the British Museum on 27 October

• Detail of a painting of a couple standing at the spread Seder table, lifting the seder basket. Under the table, there is a big cat., Prayer book, Italian rite

censor (fl. in Urbino): inscribed with his name, 1688 (f. 182v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Heinrich Eisemann, bookseller: brought from him by the British Museum on 27 October

• Detail of a painting of a man sitting at the spread table lifting his cup and saying the blessing over food., Prayer book, Italian rite

censor (fl. in Urbino): inscribed with his name, 1688 (f. 182v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Heinrich Eisemann, bookseller: brought from him by the British Museum on 27 October

• Initial 'C'(um) on a gold ground, with a hybrid creature in the bowl of the letter and the ownership inscription of Fountains abbey in the upper margin., Homilies for Sundays, with table of contents (vol 1, ff. 2-12)

or blue. Homilies for Sundays, with table of contents (vol 1, ff. 2-12) Written by John of Munkgate, clerk of York, for the Cistercian abbey of St Mary, Fountains, Yorkshire (last quarter of the 14th century inscription: 'Iohannes de Munkegate

• Detail of initial 'C'(um) on a gold ground, with a hybrid creature in the bowl of the letter., Homilies for Sundays, with table of contents (vol 1, ff. 2-12)

or blue. Homilies for Sundays, with table of contents (vol 1, ff. 2-12) Written by John of Munkgate, clerk of York, for the Cistercian abbey of St Mary, Fountains, Yorkshire (last quarter of the 14th century inscription: 'Iohannes de Munkegate

• Inscriptions., Homilies for Sundays, with table of contents (vol 1, ff. 2-12)

or blue. Homilies for Sundays, with table of contents (vol 1, ff. 2-12) Written by John of Munkgate, clerk of York, for the Cistercian abbey of St Mary, Fountains, Yorkshire (last quarter of the 14th century inscription: 'Iohannes de Munkegate

• Text page., Homilies for Sundays, with table of contents (vol 1, ff. 2-12)

or blue. Homilies for Sundays, with table of contents (vol 1, ff. 2-12) Written by John of Munkgate, clerk of York, for the Cistercian abbey of St Mary, Fountains, Yorkshire (last quarter of the 14th century inscription: 'Iohannes de Munkegate

• Decorated initial., Homilies for Sundays, with table of contents (vol 1, ff. 2-12)

or blue. Homilies for Sundays, with table of contents (vol 1, ff. 2-12) Written by John of Munkgate, clerk of York, for the Cistercian abbey of St Mary, Fountains, Yorkshire (last quarter of the 14th century inscription: 'Iohannes de Munkegate

• Inscriptions., Homilies for Sundays, with table of contents (vol 1, ff. 2-12)

or blue. Homilies for Sundays, with table of contents (vol 1, ff. 2-12) Written by John of Munkgate, clerk of York, for the Cistercian abbey of St Mary, Fountains, Yorkshire (last quarter of the 14th century inscription: 'Iohannes de Munkegate

• ~Masorah~ in micorgraphic design at Joshua., Duke of Sussex Bible with ~masorah magna~ and ~parva~

of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an unknown

• Micrographical design in the margins, at the end of Genesis and beginning of Exodus., Pentateuch with ~masorah magna~ and ~parva~

of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Italian inscription: ‘Pentateuco Ebraico ossia li cinque libri di Moise’

• ~Masorah~ in micrographic design at the end of Numbers and beginning of Deuteronomy., Duke of Sussex Bible with ~masorah magna~ and ~parva~

of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an unknown

• ~Masorah~ in micrographic form., Pentateuch with ~masorah magna~ and ~parva~

of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Italian inscription: ‘Pentateuco Ebraico ossia li cinque libri di Moise’

• ~Masorah~ in micrographic form., Pentateuch with ~masorah magna~ and ~parva~

of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Italian inscription: ‘Pentateuco Ebraico ossia li cinque libri di Moise’

• Detail of a marginal decoration: a human head in the outer margin., Commentary on the Pentateuch in an abridged form

(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.

• Detail of an initial-word panel with penwork decoration and pen-flourishing accompanied with a dog chasing a hare in the lower margin., Commentary on the Pentateuch in an abridged form

(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.

• Detail of an initial-word panel with penwork decoration and pen-flourishing accompanied with a dog and a lion in the lower margin., Commentary on the Pentateuch in an abridged form

(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.

• Detail of a marginal decoration: dog in the outer margin., Commentary on the Pentateuch in an abridged form

(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.

• Detail of an initial-word panel with penwork decoration and pen-flourishing accompanied with a bird in the outer margin., Commentary on the Pentateuch in an abridged form

(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.

• Detail of an initial-word panel with penwork decoration and pen-flourishing, accompanied with a bearded hybrid blowing a trumpet and carrying a shield with a fleur-de-lis, in the outer margin., Commentary on the Pentateuch in an abridged form

(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.