• The Norman Blake Editions of The Canterbury Tales

frere To preche and eek to begge it is no doute In which þer wente a lymytour aboute , A mersshy countre called holdernesse LOrdynges þer is in york schire , as I gesse Here begynneþ þe Somnours tale ,

• null, Register book of the Fraternity of Corpus Christi, York

15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor ... Incepte Anno domini millesimo cccc^o^ octavo' (f. 15).William Petty

• Decorated initials., Register book of the Fraternity of Corpus Christi, York

15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor ... Incepte Anno domini millesimo cccc^o^ octavo' (f. 15).William Petty

• Decorated initial 'H'(ec), at the beginning of the Liber ordinacionis fraternitatis Corporis Christi Eboracensis., Register book of the Fraternity of Corpus Christi, York

15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor ... Incepte Anno domini millesimo cccc^o^ octavo' (f. 15).William Petty

• Illuminated puzzle initials 'Q'(ue) and 'D'(ixit), with line flourishing in blue., Leaves from a Book of Hours, containing the text for the Hours of the Virgin as said during Advent (ff. 1-3), the Penitential Psalms (ff. 4-8), Litanies (ff. 8-12), and Office of the Dead (ff. 13-21), Use of Rome

'?Bologna, first half of 15th century (opinion of Dr Otto Pacht)'. Harry and Virginia Walton, of New York: their sale, Blomsbury Auction, New York, 4 April 2009, lot 7; purchased by The British Library. Puzzle initials Master of the Brussels

• Historiated initial 'Q' of Peter, with the descender of the letter composed of a foliate extension of acanthus leaves (centre)., Cutting from a Gradual (sanctorale)

Ms 978, no. D. 218-1906. See Laurence B. Kanter and others, ~Painting and Illumination in Early Renaissance Florence 1300-1450~ (New York: Metropolitan Museum of Art, 1994), pp. 155-76 [exhibition catalogue] and Gaudenz Freuler, 'Don Silvestro dei Gherarducci', in ~Dizionario Biografico