• Detail of a miniature in grisaille of an army camped outside a city., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993,

• Detail of a man doing a handstand amongst the foliage in the lower border of the folio., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993,

• Miniature of the death of Meleager, with a partial border; and a miniature of a Tudor rose and pomegranates, between two lions surmounted by a fleur-de-lis and a crown, with the autograph inscriptions of Margaret of York, reading 'For yet not har that /ys on of yo[u]r treu frendes / Margarete of Yorke', and her doughter, Marie de Bourgogne, reading 'Prenez moy a jamais pour votre / bonne amie Marie .X. de bourg[og]ne', and erased arms of John Donne of a wolf rampant., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

pomegranates, between two lions surmounted by a fleur-de-lis and a crown, with the autograph inscriptions of Margaret of York, reading 'For yet not har that /ys on of yo[u]r treu frendes / Margarete of Yorke', and her doughter, Marie de

• A dismembered montage of a section of border with the arms of Clement VII (f. 66b; 75 x 135) and two panels inscribed in capitals 'Clemens VII / Pont. Opt. Max. / Julius De Medicis / Florentius / Leonis X / Frater Patruelis' (f. 66a; 75 x 65) and 'Electus / Sum Pontif. / Anno / Domini / MDXXIII' (f. 66c; 75 x 60)., Cuttings from a Missals of Clement VII

Hofer Bequest MS Typ 734. Former Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot

• A border of grotesques, a medallion inscribed in capitals 'Clem / VII Po. / O. / M.' and two diamonds, measuring 265 x 25 mm (at left of image)., Cuttings from a Missals of Clement VII

Hofer Bequest MS Typ 734. Former Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot

• A border of grotesques, the Medici devices of a yoke with motto 'Suave', a diamond ring with three feathers and motto 'Semper', two plaques inscribed 'Leo X' and two diamonds, measuring 280 x 30 mm (at right of image)., Cuttings from a Missals of Clement VII

Hofer Bequest MS Typ 734. Former Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot

• A dismembered montage of a section of border of grotesques, and the Medici device of a diamond ring with three feathers and motto 'Semper', the arms of Clement VII (f. 69b; 40 x 135) and two plain panels (f. 69a, 40 x 65; f. 69c, 45 x 60)., Cuttings from a Missals of Clement VII

Hofer Bequest MS Typ 734. Former Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot

• A section of border of grotesques, two trompe l'oeil scrolls inscribed in capitals 'Clem / enti VII' and 'Pon / Ma', and the Medici device of a yoke with motto 'Suave' with the letter 'N', measuring 315 x 30 mm (at left of image)., Cuttings from a Missals of Clement VII

Hofer Bequest MS Typ 734. Former Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot

• A section of border of grotesques, two plain trompe l'oeil scrolls, and the Medici device of a yoke with motto 'Suave' with the letter 'N', measuring 310 x 30 mm (at right of image)., Cuttings from a Missals of Clement VII

Hofer Bequest MS Typ 734. Former Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot

• Miniature with the Annunciation in the lower part and an initial with a trinitary head, at the beginning of Matins in the Hours of the Virgin., Hours, Use of Rome

Miniature with the Annunciation in the lower part and an initial with a trinitary head, at the beginning of Matins in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines

• Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads,

• Miniature of the Nativity, at the beginning of Prime in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Nativity, at the beginning of Prime in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads,

• Miniature of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some

• Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some

• Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some

• Miniature of the Presentation, at the beginning of None in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Presentation, at the beginning of None in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads,

• Miniature of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including

• Miniature of the Coronation, at the beginning of Compline in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Coronation, at the beginning of Compline in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads,

• Miniature of David, at the beginning of the Penitential Psalms., Hours, Use of Rome

Miniature of David, at the beginning of the Penitential Psalms. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads, in colours and gold (ff.

• Miniature of the Crucifixion, at the beginning of the Hours of the Cross., Hours, Use of Rome

Miniature of the Crucifixion, at the beginning of the Hours of the Cross. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads, in colours