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initial is stylistically similar to the decoration of Royal 1 C VII and Royal 6 B VI. 1 large inhabited initial in colours, at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials
initial is stylistically similar to the decoration of Royal 1 C VII and Royal 6 B VI. 1 large inhabited initial in colours, at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials
initial is stylistically similar to the decoration of Royal 1 C VII and Royal 6 B VI. 1 large inhabited initial in colours, at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials
initial is stylistically similar to the decoration of Royal 1 C VII and Royal 6 B VI. 1 large inhabited initial in colours, at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials
Rocheste, reading 'Liber de claust[r]o Roffens[i] p[er] H. cantor[em].' Catchwords and quire signatures. 1 historiated initial in colours and silver, at the beginning of the text (f. 1). 2 puzzle initials in red and blue, with or without penwork decoration
Puzzle initial 'F'(uit) at the beginning of book 2. Catchwords and quire signatures. 1 historiated initial in colours and silver, at the beginning of the text (f. 1). 2 puzzle initials in red and blue, with or without penwork decoration
Puzzle initial 'P'(ostquam) at the beginning of book 4. Catchwords and quire signatures. 1 historiated initial in colours and silver, at the beginning of the text (f. 1). 2 puzzle initials in red and blue, with or without penwork decoration
remaining leaves and parts of leaves are mounted on modern parchment leaves. Initials in red. Comedies; Etymologiae (lib. 1: 21) Part 1 and 3 attributed to the cathedral scriptorium of Salisbury on stylistic grounds (see Thomson 1986 and Webber 1992)Part
remaining leaves and parts of leaves are mounted on modern parchment leaves. Initials in red. Comedies; Etymologiae (lib. 1: 21) Part 1 and 3 attributed to the cathedral scriptorium of Salisbury on stylistic grounds (see Thomson 1986 and Webber 1992)Part
initial 'V'(erbum). Ruled in hardpoint.Horizontal catchwords.Marginal annotations. 1 large historiated initial in colours with a portrait of Priscian (f. 1).1 initial in colours in the form of a snake (f. 12). 1 historiated initial in colours of a man
beginning of the prologue to the De fide catholica of Isidore. 1 anthropomorphic initial formed of two monks in outline drawing, at the beginning of the prologue (f. 1v). 1 initial with zoomorphic and interlace decoration in black ink, at
Zoomorphic initial 'I'(udei) with an animal head. 1 anthropomorphic initial formed of two monks in outline drawing, at the beginning of the prologue (f. 1v). 1 initial with zoomorphic and interlace decoration in black ink, at the beginning of the
beginning of the sermons based on John. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage
of the sermons based on Matthew. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage in
Illuminated headpiece decorated with geometric patterns, and initial 'A'(ndres) at the beginning of Gregory Nazianzus' De pauperum amore (Oratio 14). f. 20r-v formerly used as a pastedown.Old pagination on ff. 1-18v of 481-516.ff. 1-18 were formerly gatherings 31-33 of
Detail of headpiece. f. 20r-v formerly used as a pastedown.Old pagination on ff. 1-18v of 481-516.ff. 1-18 were formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial
beginning of Atticus of Constantinople's Epistola formata. Ruled in hardpoint.f. 119 trimmed on right margin. 1 very large initial in red and green (f. 1). Plain initials in red or brown, some large, some small. Rubrics in red. De utilitate
a woven pattern (ff. 1, 99). Small red or brown initials. De machinis (ff. 1-9), De constructione bellicarum machinarum (ff. 9v-16) Written in 1545: colophon ( f. 358).The monastery of St Catherine, Mount Sinai: inscription (f. 1). ? John Spencer
of Aldhelm. Includes capitula written by a different hand (ff. 3-7). The flyleaves, ff. 1, 120 are two leaves of the original manuscript substituted in the 11th century with ff. 116-117. 2 large initials in colours with zoomorphic and interlace
pon/tifica/le pro/ficisce[n]s', with an inscription 'S. ALDELM[US] EPC'. Includes capitula written by a different hand (ff. 3-7). The flyleaves, ff. 1, 120 are two leaves of the original manuscript substituted in the 11th century with ff. 116-117. 2 large initials