• Text page with inventory of relics at Exeter: 'These are the names of the holy saints, which are in the monastery of St Peter and St Mary, Exeter . . .'. The list begins with relics of Christ's blood, his cross, tomb, and clothing. The list also enumerates a part of St Peter's beard and St Andrew's walking-stick., De laudibus virginitatis, with Old English and Latin glosses

creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in green (f. 3v). Title, prologue, incipit and explicit in red or green capitals (ff. 1-4, 53).

• Initial with foliate decoration., De laudibus virginitatis, with Old English and Latin glosses

creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in green (f. 3v). Title, prologue, incipit and explicit in red or green capitals (ff. 1-4, 53).

• Initial 'I'(am) with man and a dragon enmeshed in foliage., De laudibus virginitatis, with Old English and Latin glosses

creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in green (f. 3v). Title, prologue, incipit and explicit in red or green capitals (ff. 1-4, 53).

• Zoomorphic initial 'P'(salmus) with display script, at the beginning of Augustine's commentary to Psalm 50., Enarrationes in Psalmos (Volume 2)

'Liber de claust[r]o Roffens[i]', and 'S[ecund]a p[ar]s psalt[er]ii s[ecundu]m Aug. Arnulphi p[ri]oris', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,

• Decorated initial 'B'(eatus) combined with a full foliate bar border including interlace at the beginning of Psalm 1., Psalter, imperfect

bar border including interlace at the beginning of Psalm 1. Beginning with a calendar (ff. 1-5v, lacking the end) including in blue: Judoci (9 Jan.), in gold: Valentini (14 Feb.), Barnabe (11 June), Grimbaldi and his translation (8 July, and

• Decorated initial 'B'(ritannia) at the beginning of Bede's text., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

text. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see Richards 1988. Large initials with penwork decoration in purple, green, red,

• Decorated initial 'H'(is) at the beginning of Book II., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

II. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see Richards 1988. Large initials with penwork decoration in purple, green, red,

• Decorated initial 'S'(uccessit) at the beginning of Book V. The roman numeral 'xvii' at the lower edge of the page is a quire signature., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

lower edge of the page is a quire signature. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see Richards 1988. Large

• Ownership inscription: 'Liber sancti Andree Roffensis ecclesie' (book of the church of St. Andrew, Rochester). The inscription above ('5 die Novembris A.D. 1723') was written by Humfrey Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand:

• Decorated initial 'G'(loriossimo), and in the lower margin is an added inscription recording that the book belonged in the cloister of Rochester Cathedral, and was given by Hubert the precentor., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

the cloister of Rochester Cathedral, and was given by Hubert the precentor. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see

• Decorated initial 'A'(t) at the beginning of Book III. In the top margin and top right corner are the book number '3', and the folio number '63'; the sketch of a horse's head in the lower margin is a doodle by a later reader., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

horse's head in the lower margin is a doodle by a later reader. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand:

• Miniature of Gregory the Great writing, inspired by the Holy Spirit represented as a dove. Above the frame of the miniature, inscription 'Teodericus depinxit hanc imaginem Gregorium papam'. The miniature is between books 3 and 4 of Gregory the Great's Dialogi., Dialogi

signatures.Unusual iconography on f. 33v, where one is unsure whether the Deposition or the Nailing to the cross is depicted. 1 large miniature of Gregory the Great writing, inspired by the Holy Spirit, outlined in brown ink, with some yellow

• Detail of a miniature of Gregory the Great writing, inspired by the Holy Spirit represented as a dove. Above the frame of the miniature, inscription 'Teodericus depinxit hanc imaginem Gregorium papam'. The miniature is between books 3 and 4 of Gregory the Great's Dialogi., Dialogi

signatures.Unusual iconography on f. 33v, where one is unsure whether the Deposition or the Nailing to the cross is depicted. 1 large miniature of Gregory the Great writing, inspired by the Holy Spirit, outlined in brown ink, with some yellow

• Detail of decorated initial., Miscellany, including a calendar and astrological texts, including Roger's Hereford tables (ff. 77-87); excerpts from William of Conches's Dragmaticon philosophiae, and Daniel of Morley's Liber de naturis inferiorum et superiorum

Detail of decorated initial. Numerous diagrams. 1 large foliate initial, in colours and gold, with extension into the margin (f. 7). 1 large initial in gold on a blue ground (f. 16). 7 large initials in red, green or blue,

• Detail of decorated initial., Miscellany, including a calendar and astrological texts, including Roger's Hereford tables (ff. 77-87); excerpts from William of Conches's Dragmaticon philosophiae, and Daniel of Morley's Liber de naturis inferiorum et superiorum

Detail of decorated initial. Numerous diagrams. 1 large foliate initial, in colours and gold, with extension into the margin (f. 7). 1 large initial in gold on a blue ground (f. 16). 7 large initials in red, green or blue,

• Diagrams., Miscellany, including a calendar and astrological texts, including Roger's Hereford tables (ff. 77-87); excerpts from William of Conches's Dragmaticon philosophiae, and Daniel of Morley's Liber de naturis inferiorum et superiorum

Diagrams. Numerous diagrams. 1 large foliate initial, in colours and gold, with extension into the margin (f. 7). 1 large initial in gold on a blue ground (f. 16). 7 large initials in red, green or blue, decorated in green

• Diagram., Miscellany, including a calendar and astrological texts, including Roger's Hereford tables (ff. 77-87); excerpts from William of Conches's Dragmaticon philosophiae, and Daniel of Morley's Liber de naturis inferiorum et superiorum

Diagram. Numerous diagrams. 1 large foliate initial, in colours and gold, with extension into the margin (f. 7). 1 large initial in gold on a blue ground (f. 16). 7 large initials in red, green or blue, decorated in green

• Initial 'I'(n principio) with the eagle, symbol of John in a medallion, at the beginning of John., Gospel of John; Augustine, Tractatus in Evangelium Iohannis

folio, 14th century (f. 1).Red seal of a ship, 17th century (f. 1). The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 50' (f. 1), included in the inventory of books in the Upper Library at Westminster

• Foliate initial 'P'(aulus) with dragons, and display script, at the of the Commentary on the Pauline Epistles of Florus of Lyon, and in the lower margin, the typical (but partially erased) Rochester ownership inscription, naming Baldwin, archbishop of Canterbury from 1184 to 1190., Commentary on the Pauline Epistles

(Hand I: ff. 1-92 and 174v-182v, Hand II: ff. 92-174). Contemporary marginal notes giving the sources of the excerpts.Quire signatures. 1 initial with foliate and zoomorphic decoration in colours, with display script, at the beginning of the text (f. 1v).

• Decorated initial 'D'(ici) at the beginning of the Enchiridion of Augustine., Enchiridion, De bono mortis, De corpore et sanguine Domini

(ff. 44v-62v) Lanfranc, De corpore et sanguine Domini (ff. 62v-89). Misbound at the beginning: f. 2 should be before f. 1, and ff. 12-19 before 4-11.Quire signatures. Decorated initials in green and red, at the beginning of major text divisions