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initials. Rubrics in red. De officiis ministrorum; Sermo de resurrectione domini; De poenitentia Parts 1 and 2 were together by the 12th century: in part 1, the scribe/illuminator of part 2 added red initials/letters (ff. 66v, 131v), replaced some text
1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in with an added puzzle initial and rubrics in brown and red. Psalter, with canticles (ff. 99-108), litany
1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in with an added puzzle initial and rubrics in brown and red. Psalter, with canticles (ff. 99-108), litany
parchment flyleaf. 2 miniatures of standing figures in brown ink with orange, one on a green ground (ff. 18v, 61). 1 large historiated initial in brown ink, with green and orange (f. 2). 3 small historiated initials in red or
parchment flyleaf. 2 miniatures of standing figures in brown ink with orange, one on a green ground (ff. 18v, 61). 1 large historiated initial in brown ink, with green and orange (f. 2). 3 small historiated initials in red or
flyleaf. 2 miniatures of standing figures in brown ink with orange, one on a green ground (ff. 18v, 61). 1 large historiated initial in brown ink, with green and orange (f. 2). 3 small historiated initials in red or brown
1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in with an added puzzle initial and rubrics in brown and red. Psalter, with canticles (ff. 99-108), litany
1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in with an added puzzle initial and rubrics in brown and red. Psalter, with canticles (ff. 99-108), litany
1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in with an added puzzle initial and rubrics in brown and red. Psalter, with canticles (ff. 99-108), litany
William Fleetwood [Fletewoode] (b. c.1525, d.1594), lawyer and antiquary: erased inscription of his name (ff. 3*verso and f. 129v); no. 1 of the manuscripts at Missenden abbey, the home of the Fleetwood family: see Ker 1957.18th-century ? inscription '111 A
1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in with an added puzzle initial and rubrics in brown and red. Psalter, with canticles (ff. 99-108), litany
1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in with an added puzzle initial and rubrics in brown and red. Psalter, with canticles (ff. 99-108), litany
1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in with an added puzzle initial and rubrics in brown and red. Psalter, with canticles (ff. 99-108), litany
William Fleetwood [Fletewoode] (b. c.1525, d.1594), lawyer and antiquary: erased inscription of his name (ff. 3*verso and f. 129v); no. 1 of the manuscripts at Missenden abbey, the home of the Fleetwood family: see Ker 1957.18th-century ? inscription '111 A
(f . 69v). 2 noted Easter hymns, prayers, part of the Office of Augustine of Canterbury: 'Chorus nove Hierusalem' (f. 1) and 'Te lucis auctor' (f. 1v); rhymed Office for Augustine of Canterbury (ff. 67-68v erased, 68v-69); Hymn to Gregory
in red, often with a yellow wash, one extending into the margin (f. 1), one with an animal head (f. 213). Large decorated initials, in red and yellow, or red, black, and yellow, some zoomorphic or anthropomorphic (birds or hands)
'B'(eatus) at the beginning of Psalm 1. Musical notation on four-line red staves, in the office for Catherine (ff. 108-109). Large initial with partial border in colours and gold, at the beginning of Psalm 1 (f. 8). Large puzzle intial
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti, A.D. 1724.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
the beginning of book 1 of Augustine's Confessiones. Running headers. Signe de renvoi (f. 46), see Ker 1976. Large initials in red or green with penwork decoration in the same and occasionally in the alternate colour, some with reserved designs.
added vertically in a fine 15th-century humanistic hand (f. 26v).Added verses in Italian, 15th century 'Neltempo cherinova emie sospiri...' (f. 1), 'Amor mipuo tenere...' (f. 41).Added inscriptions in Latin, 15th century (f. 41r-v).Stamped arms (trimmed) in lower border, ?16th century