Aug[us]tini Cant', 14th century (f. 1); included in the catalogue of the library of St. Augustine's abbey of between 1375-1420 transcribed in 1475-1497, no. 427.Old Royal Library: red seal of a ship, 17th century (f. 1); included in the 1698
Aug[us]tini Cant', 14th century (f. 1); included in the catalogue of the library of St. Augustine's abbey of between 1375-1420 transcribed in 1475-1497, no. 427.Old Royal Library: red seal of a ship, 17th century (f. 1); included in the 1698
Aug[us]tini Cant', 14th century (f. 1); included in the catalogue of the library of St. Augustine's abbey of between 1375-1420 transcribed in 1475-1497, no. 427.Old Royal Library: red seal of a ship, 17th century (f. 1); included in the 1698
Aug[us]tini Cant', 14th century (f. 1); included in the catalogue of the library of St. Augustine's abbey of between 1375-1420 transcribed in 1475-1497, no. 427.Old Royal Library: red seal of a ship, 17th century (f. 1); included in the 1698
Text page with initials and rubrics. Initials and rubrics in red. De unitate sanctae trinitatis (f.1); De differentiis, Etymologiae (incomplete), De miraculis Christi The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 23 in Patrick
creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in green (f. 3v). Title, prologue, incipit and explicit in red or green capitals (ff. 1-4, 53).
creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in green (f. 3v). Title, prologue, incipit and explicit in red or green capitals (ff. 1-4, 53).
creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in green (f. 3v). Title, prologue, incipit and explicit in red or green capitals (ff. 1-4, 53).
creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in green (f. 3v). Title, prologue, incipit and explicit in red or green capitals (ff. 1-4, 53).
'Liber de claust[r]o Roffens[i]', and 'S[ecund]a p[ar]s psalt[er]ii s[ecundu]m Aug. Arnulphi p[ri]oris', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,
(ff. 44v-62v) Lanfranc, De corpore et sanguine Domini (ff. 62v-89). Misbound at the beginning: f. 2 should be before f. 1, and ff. 12-19 before 4-11.Quire signatures. Decorated initials in green and red, at the beginning of major text divisions
armario claustri s[anc]ti Edm[und]i regis et m[arti]ris' (f. 1) and with the press-mark 'G.16'.John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed in the 1609 catalogue of his collection,
armario claustri s[anc]ti Edm[und]i regis et m[arti]ris' (f. 1) and with the press-mark 'G.16'.John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed in the 1609 catalogue of his collection,
armario claustri s[anc]ti Edm[und]i regis et m[arti]ris' (f. 1) and with the press-mark 'G.16'.John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed in the 1609 catalogue of his collection,
if not the same, as the scribe of Royal 13 A XXII.For the text, see Migne, Patr. Lat. CXXIII. 23. 1 large initial in red and green with foliate motifs (f. 1v). Smaller plain initials in red or green. Capitals
the same, as the scribe of Royal 13 A XXII.For the text, see Migne, Patr. Lat. CXXIII. 23. 1 large initial in red and green with foliate motifs (f. 1v). Smaller plain initials in red or green. Capitals marked in
the same, as the scribe of Royal 13 A XXII.For the text, see Migne, Patr. Lat. CXXIII. 23. 1 large initial in red and green with foliate motifs (f. 1v). Smaller plain initials in red or green. Capitals marked in
ink as far as 'lx' (f. 125). Large puzzle initial in red and blue, with purple and red pen-flourishing (f. 1). Large initials in red with purple pen-flourishing, and in blue with red pen-flourishing. Initials in red. Paraphs in red.
Illuminated initial 'Q'(uoniam) with interlace decoration, at the beginning of the Gospel of Luke. Full-page canon tables in gold and red, within frames of gold and/or silver and colours (ff. 1-6v). Very large initials in colours and gold with
Simple initial 'O'(mnis) with a face in Pierre Tudebode's Historia de Hierosolymitana itinere. 1 initial in red with arabesque motifs (f. 1). Initials in red or brown with some penwork decoration, including dots, lines, simple spiralling extensions and once with