French or French (see P. Verbraken 1958). Two large initials in red with foliate decoration in the same colour (ff. 1, 100v). 6 smaller initials in colours (f. 29v, 77v, 94, 113, 116, 138v). Puzzle initials in purple, red or
a manib[us] sit procul iste lib[er] T. Wybarn', c. 1467 (see a dated inscription in Royal 2 C I) (ff. 1, 259).Inscribed a letter, signed by Clemens Brown, requesting a certain Henry to receive this book from Thomas Walleys, master
of Canterbury (1114-1122): inscribed 'Quarta p[er] 6 Moraliu[m] Gregorii incip[i]t p[er] R. Archiep[isco]p[u]m / de claust[r]o Roffens[i]', 14th century (f. 1), and 'Liber de claust[r]o Roffens[i] p[er] Radulfum Archep[iscopu]m', 14th century (f. 6); included in the Rochester library catalogues of
of Canterbury (1114-1122): inscribed 'Quarta p[er] 6 Moraliu[m] Gregorii incip[i]t p[er] R. Archiep[isco]p[u]m / de claust[r]o Roffens[i]', 14th century (f. 1), and 'Liber de claust[r]o Roffens[i] p[er] Radulfum Archep[iscopu]m', 14th century (f. 6); included in the Rochester library catalogues of
of Canterbury (1114-1122): inscribed 'Quarta p[er] 6 Moraliu[m] Gregorii incip[i]t p[er] R. Archiep[isco]p[u]m / de claust[r]o Roffens[i]', 14th century (f. 1), and 'Liber de claust[r]o Roffens[i] p[er] Radulfum Archep[iscopu]m', 14th century (f. 6); included in the Rochester library catalogues of
of Canterbury (1114-1122): inscribed 'Quarta p[er] 6 Moraliu[m] Gregorii incip[i]t p[er] R. Archiep[isco]p[u]m / de claust[r]o Roffens[i]', 14th century (f. 1), and 'Liber de claust[r]o Roffens[i] p[er] Radulfum Archep[iscopu]m', 14th century (f. 6); included in the Rochester library catalogues of
is blank and ruled. Large initials in colours and gold combined with a full foliate bar border including interlace (Psalm 1 (f. 8), Psalm 26 (f. 39v), Psalm 38 (f. 59), Psalm 52 (f. 78), Psalm 80 (f. 118v), Psalm
cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at the beginning of texts or books (ff. 1, 17, 26v-27 [miniature f. 26v, accompanying border f. 27], 37, 47v, 59, 73v, 88, 101v, 115, 131v, 148v, 164,
until 1659, inscription (f. 1), see transcription below.John Covel (b. 1638, d. 1722), chaplain of the Levant Company at Constantinople 1670-1676: inscribed in 1659 'Joh[ann]es Covel xpti. Coll. Soc. 1659 mnemosunon [in Greek] Tho: Hu:’ (f. 1). No. XXVI (f.
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘Janu. 9 1725/6’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
a parchment flyleaf. f. 118 is an unwritten flyleaf. 2 leaves missing after f. 11, 1 after f. 59 (see Munari 1957).Some outer margins have been excised.Quire marks. Large initial and red and brown ink with penwork decoration in the
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
shape of a grotesque(s). Erased inscription on f. 2*v. In the manuscript 'De mysteriis' begins imperfectly (leaves lost before f. 1), 'Sermo de corpore et sanguine Domini' is ascribed to Isidore of Seville and has the running header 'De Mysteriis'
shape of a bird. Erased inscription on f. 2*v. In the manuscript 'De mysteriis' begins imperfectly (leaves lost before f. 1), 'Sermo de corpore et sanguine Domini' is ascribed to Isidore of Seville and has the running header 'De Mysteriis'
century (?) hand Initials in colours with penwork decoration at the beginning of the prologue and the five books (ff. 1, 22, 30v, 40, 49). 3 small initials in red and one in blue (ff. 49, 53, 64, 66). Rubrics
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero