'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
illuminated initial. 1 large foliate and interlace initial, in colours and gold (f. 3). Large initials alternating red, blue, or pale brown, usually with simple decoration in one of the other colours. Small initials alternating red, blue, or pale brown.
decorated initial. 1 large foliate and interlace initial, in colours and gold (f. 3). Large initials alternating red, blue, or pale brown, usually with simple decoration in one of the other colours. Small initials alternating red, blue, or pale brown.
colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,
colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,
Musica. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain
Enchiriadis. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain
of chapter 6 of book 1 of Cicero's De inventione. 6 large decorated initials in brown ink with yellow and red washes, 2 with zoomorphic features of a animal head, or a bird (ff. 1, 3, 4, 24, 51v, 70).
of chapter 6 of book 1 of Cicero's De inventione. 6 large decorated initials in brown ink with yellow and red washes, 2 with zoomorphic features of a animal head, or a bird (ff. 1, 3, 4, 24, 51v, 70).
Decorated initial and border. 1 large decorated foliate initial with a full foliate border including medaillons with the lion of Venice, a bishop, and heraldic arms in front of a landscape with a rabbit (f. 1). Commission from Leonardo Loredan,
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert