• Historiated initial 'V'(etus) of the symbols of the Evangelists with partial borders, at the beginning of book 6 of Isidore's Etymologies., Etymologies

Historiated initial 'V'(etus) of the symbols of the Evangelists with partial borders, at the beginning of book 6 of Isidore's Etymologies. 5 large historiated initials with partial foliate borders, in colours and gold (ff. 2, 17v, 35v, 42v, 50).

• Detail of historiated initial 'B'(eatissimus) of Christ blessingwith partial borders, at the beginning of book 7 of Isidore's Etymologies., Etymologies

Detail of historiated initial 'B'(eatissimus) of Christ blessingwith partial borders, at the beginning of book 7 of Isidore's Etymologies. 5 large historiated initials with partial foliate borders, in colours and gold (ff. 2, 17v, 35v, 42v, 50). 25 large

• Detail of historiated initial 'E'(cclesia) of Paul holding a sword and a book with partial borders, at the beginning of book 8 of Isidore's Etymologies., Etymologies

Detail of historiated initial 'E'(cclesia) of Paul holding a sword and a book with partial borders, at the beginning of book 8 of Isidore's Etymologies. 5 large historiated initials with partial foliate borders, in colours and gold (ff. 2,

• Decorated initial 'H'(odie)., Theological miscellany, including Peter Damian, Sermons, excerpts from the Moralia.

lots were purchased subsequently for £2 9s. 6d. (Egerton 710-730). Large initial in blue with red and brown pen-flourishing (f. 1). Puzzle initial (f. 25). Large initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Highlighting of

• Full-page miniature of the Crucifixion with the Virgin Mary and John the Evangelist, a full border inhabited by birds and flowers, and, in the lower margin, a jewelled cross in a subsidiary medallion., Missal

in a subsidiary medallion. ff. [ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a

• Added miniature of the Virgin Mary, her mother Anne, and the infant Christ., Missal

[ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a full border inhabited by birds

• Detail of ownership inscription., Medical miscellany, including John of Gaddesden's Rosa Anglica (ff. 9-262), and four tracts on urine

brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red

• Detail of ownership inscription., Medical miscellany, including John of Gaddesden's Rosa Anglica (ff. 9-262), and four tracts on urine

brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red

• Detail of puzzle initial., Medical miscellany, including John of Gaddesden's Rosa Anglica (ff. 9-262), and four tracts on urine

brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red

• Colophon in column 1., Etymologies; De natura rerum (ff. 154-166), and other short texts

in column 1. f. 168 is a former pastedown. Full page tree of consanguinity with busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large

• Decorated initial 'B'(artolomeus) at the beginning of the interpretations of the Syriac and Hebrew names that occur in the Gospels following the conclusion of the genealogy of Christ (Matthew 1:1-17)., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

Decorated initial 'B'(artolomeus) at the beginning of the interpretations of the Syriac and Hebrew names that occur in the Gospels following the conclusion of the genealogy of Christ (Matthew 1:1-17). According to Glunz, with marginal and interlinear glosses that

• Upper cover of the ivory binding, with scenes from the life of David., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Lower cover of the ivory binding, with the Six Corporal Works of Mercy listed in Matthew 25:35-36., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David and the lion., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David being anointed by Samuel., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David receiving the sword of Goliath from Ahimelech the priest., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David and Goliath., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David kneeling before an altar., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the lower right hand roundel on the lower cover of the ivory binding, with the act of mercy of visitng the imprisoned, with the inscription: 'In carcere eram et venistis ad me (Matthew 25: 36)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the lower left hand roundel on the lower cover of the ivory binding, with the act of mercy of visiting the sick, with the inscription: 'infirmus et visitastis me' (Mathew 25: 36)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from