• Zoomorphic initial 'I'(psum) in the form of a bird, in Origines's Commentary on Jeremiah., Commentary on Jeremiah, and on the Song of Songs

foliate initials executed in brown, or brown and red, ink (ff. 1v, 32v, 37v, 41v, 45, 49v, 59, 61v, 72v). 1 brown zoomorphic initial in the form of a bird (f. 82). Large and small simple brown initials. Decorated quire

• Decorated initial 'D'(eus) at the beginning of Origines's Commentary on Jeremiah., Commentary on Jeremiah, and on the Song of Songs

foliate initials executed in brown, or brown and red, ink (ff. 1v, 32v, 37v, 41v, 45, 49v, 59, 61v, 72v). 1 brown zoomorphic initial in the form of a bird (f. 82). Large and small simple brown initials. Decorated quire

• Detail of a decorated initial 'E'(xultate) with foliate patterns, at the beginning of Psalm 32., Psalter ('The Camaldoli Psalter'), with partial gloss (index The Fontebuono Psalter)

Detail of a decorated initial 'E'(xultate) with foliate patterns, at the beginning of Psalm 32. 1 large full-page miniature, in colours and gold (f. 178). 1 large decorated full-page initial, in colours and gold (f. 9v). Large and smaller decorated

• Detail of a decorated initial 'D'(ixit) with foliate and geometric patterns, at the beginning of Psalm 109., Psalter ('The Camaldoli Psalter'), with partial gloss (index The Fontebuono Psalter)

a decorated initial 'D'(ixit) with foliate and geometric patterns, at the beginning of Psalm 109. 1 large full-page miniature, in colours and gold (f. 178). 1 large decorated full-page initial, in colours and gold (f. 9v). Large and smaller decorated

• Detail of a decorated initial 'Q'(uicumque) with foliate and vine-stem decoration, at the beginning of the Athanasian Creed., Psalter ('The Camaldoli Psalter'), with partial gloss (index The Fontebuono Psalter)

decorated initial 'Q'(uicumque) with foliate and vine-stem decoration, at the beginning of the Athanasian Creed. 1 large full-page miniature, in colours and gold (f. 178). 1 large decorated full-page initial, in colours and gold (f. 9v). Large and smaller decorated

• null, fragment of a Missal?

[i] and 1 are parchment flyleaves. Large initials in blue or green with red penwork decoration, or in red with green penwork decoration. Small initials in brown, some with highlighting in red. fragment of a Missal? Sir Hans Sloane (b.

• Miniature of the Crucifixion of Christ., Psalter ('The Camaldoli Psalter'), with partial gloss (index The Fontebuono Psalter)

Miniature of the Crucifixion of Christ. 1 large full-page miniature, in colours and gold (f. 178). 1 large decorated full-page initial, in colours and gold (f. 9v). Large and smaller decorated initials with white vine ornament, geometric and figural decoration,

• Historiated initial 'I'(n) of a saint standing, outlined in black, with red and light brown, on a blue ground., Homiliae in Ezechielem (ff. 1v-88); Homiliae in Canticum canticorum (ff. 88v-108)

4v, 22v, 32v, 46v, 70v, 75, 79), 2 with birds (ff. 42, 62), 1 with a male face (f. 79) and 1 with a dog (f. 88v). 1 simple initial in red (f. 88). Display script in alternate red and

• Coloured initials, and, in the right-hand column, an example of a corrected mistake. The scribe left a space for a coloured initial, and wrote the letters 'PM' with an abbreviation mark. The artist later painted a green initial 'S', because 'SPM' is a common abbreviation for 'Spiritum' (Spirit). In fact, the first word of the sentence should be 'Christum' (Christ), which can be represented by the letters 'XPM'. When the mistake was realised, the green 'S' was erased and replaced by a blue 'X'., Homiliary

Wottone M. Glasconis (f. 1); Robert Wottone, monk of Glastonbury, 15th century: inscription (f. 1; see above), added small parchment leaf inscribed 'Robertus Wottone' (f. 191v).John Long, of Dorchester, in Dorset, matriculated at Pembroke College, Oxford, 1 July 1664, aged

• Detail of historiated initial 'O'(sculetur) with Ecclesia enthroned, holding up a scroll., Homiliae in Ezechielem (ff. 1v-88); Homiliae in Canticum canticorum (ff. 88v-108)

4v, 22v, 32v, 46v, 70v, 75, 79), 2 with birds (ff. 42, 62), 1 with a male face (f. 79) and 1 with a dog (f. 88v). 1 simple initial in red (f. 88). Display script in alternate red and

• Decorated initial 'B'(eatus) at the beginning of Augustine's 'Enarrationes in Psalmos', followed by display script., Enarrationes in Psalmos, imperfect

'cuius faciem timet, ipsius faciem invocat. Ne'). 1 large and 1 small decorated initial in red with foliate motifs in green, brown and blue for treatises on Psalms 1 and 2 (ff. 1, 2). 4 puzzle initials in red and

• Text page with coloured initials., Gemma animae sive De divinis officis

(ff. 149-151v);Excerpts from Augustine, Enchiridion (ff. 151v-156);Chapters from a synodal pronouncement (ff. 156-160). 1 large zoomorphic initial in colours, at the beginning of the text (f. 1). Initials in red, green, blue, or light brown, some with penwork decoration in

• Diagram of the division of philosophy., Theological miscellany

philosophia Salomonis' (ff. 3-9v);An extract from Isidore, Etymologiae, book 1, chapter 27, beginning 'Ortographia Grece recta scriptura interpretatur Latine' (ff. 10-11v);Fulgentius Mythographus, Expositio sermonum antiquorum (Liber de Abstrusis Sermonibus) (ff.11v-18v);An incomplete glossary (A to C) of unusual words, words of

• Three coloured initials 'D'(um) and inscription 'Cirencestrie'., Liber testimonium veteris testamenti (parts 1 and 3); Sermo (f. 117); In canticum canticorum (9 excerpts)(f. 117v)

each book, one with blue (f. 1) and one with black dots (f. 67). Numerous initials in blue, green, red, or light brown. Rubrics and numbers in red. Liber testimonium veteris testamenti (parts 1 and 3); Sermo (f. 117); In

• Detail of initial 'D'(um) with foliate decoration., Liber testimonium veteris testamenti (parts 1 and 3); Sermo (f. 117); In canticum canticorum (9 excerpts)(f. 117v)

each book, one with blue (f. 1) and one with black dots (f. 67). Numerous initials in blue, green, red, or light brown. Rubrics and numbers in red. Liber testimonium veteris testamenti (parts 1 and 3); Sermo (f. 117); In

• Detail of coloured initials 'V'(squequo) and 'H'(omo) in the lower right-hand column of the folio., Liber testimonium veteris testamenti (parts 1 and 3); Sermo (f. 117); In canticum canticorum (9 excerpts)(f. 117v)

each book, one with blue (f. 1) and one with black dots (f. 67). Numerous initials in blue, green, red, or light brown. Rubrics and numbers in red. Liber testimonium veteris testamenti (parts 1 and 3); Sermo (f. 117); In

• Zoomorphic initial 'G'(ualterus) in the form of a dragon, at the beginning of the preface, and a foliate initial 'S'(unt) at the beginning of the prologue, with an inscription stating that the book was given by Laurence, bishop of Rochester, to the cathedral priory of St. Andrew, Rochester, reading 'vii. Psalt[eri]um de claust[r]o Roff[ensi] per Laur[en]tium ep[iscopu]m.', Flores Psalterii

3 foliate, zoomorphic, or inhabited initials in colours, at the beginning of the prologues and the treatise on Psalm 1 (ff. 1, 3). 2 large initials in red or blue with foliate penwork decoration in green, blue, and brown, at

• Historiated initial 'F'(uit) of Elkanah and his two wives Hannah and Penninah with inscriptions over their heads: 'Anna', 'Helcana', and 'Fenenna', at the beginning of 1 Samuel (1 Kings)., Bible (Joshua, Judges, Ruth, and I-IV Kings) (The 'Rochester Bible')

his two wives Hannah and Penninah with inscriptions over their heads: 'Anna', 'Helcana', and 'Fenenna', at the beginning of 1 Samuel (1 Kings). Attribution to Rochester is based on similarity of initials with two manuscripts of Rochester provenance (Royal 5

• Detail of a historiated initial 'F'(uit) of Elkanah and his two wives Hannah and Penninah with inscriptions over their heads: 'Anna', 'Helcana', and 'Fenenna', at the beginning of 1 Samuel (1 Kings)., Bible (Joshua, Judges, Ruth, and I-IV Kings) (The 'Rochester Bible')

his two wives Hannah and Penninah with inscriptions over their heads: 'Anna', 'Helcana', and 'Fenenna', at the beginning of 1 Samuel (1 Kings). Attribution to Rochester is based on similarity of initials with two manuscripts of Rochester provenance (Royal 5

• Coloured initials., Gemma animae sive De divinis officis

(ff. 149-151v);Excerpts from Augustine, Enchiridion (ff. 151v-156);Chapters from a synodal pronouncement (ff. 156-160). 1 large zoomorphic initial in colours, at the beginning of the text (f. 1). Initials in red, green, blue, or light brown, some with penwork decoration in