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either be a 'G', for green, or a 'V', for 'vert', in French. Leaves have been cut out between ff. 1 and 2, 53 and 54 (two), 86 and 87, 118 and 119 (two), 162 and 163, and cut in
'bor' (boar); and on the bottom line next to 'Capra' is 'got' (goat). Leaves have been cut out between ff. 1 and 2, 53 and 54 (two), 86 and 87, 118 and 119 (two), 162 and 163, and cut in
ab executorib[us] p[re]d[ic]ti ep[iscop]i anno / d[omi]ni Mlill[esim]o CCCmoXLVto circa purificat[i]o[n]em b[eat]e V[ir]ginis' (f. 1); with a list of contents, in the same hand (f. 1); perhaps to be identified with the 'Policraticon Iohannis Sariburiensis cum aliis libri contentis; included
Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er] regula[m] s[anc]ti B[e]n[e]d[ic]ti', 14th century (f. 1), and a shelfmark 'D. III. g. XII' with a title 'Expositio su[per] Reg[u]lam beati Benedicti. nova', 12th century (f.
Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er] regula[m] s[anc]ti B[e]n[e]d[ic]ti', 14th century (f. 1), and a shelfmark 'D. III. g. XII' with a title 'Expositio su[per] Reg[u]lam beati Benedicti. nova', 12th century (f.
Coloured initials. Musical notation: Anglo-Saxon neumes, England (Winchester), mid-11th century (f. 4-4v).The volume is a composite manuscript made up of fragments of different date and origin bound at the beginning of the 16th-century swan-mark collection.The statutes of the Norwegian
Coloured initials. Musical notation: Anglo-Saxon neumes, England (Winchester), mid-11th century (f. 4-4v).The volume is a composite manuscript made up of fragments of different date and origin bound at the beginning of the 16th-century swan-mark collection.The statutes of the Norwegian
Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er] regula[m] s[anc]ti B[e]n[e]d[ic]ti', 14th century (f. 1), and a shelfmark 'D. III. g. XII' with a title 'Expositio su[per] Reg[u]lam beati Benedicti. nova', 12th century (f.
Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er] regula[m] s[anc]ti B[e]n[e]d[ic]ti', 14th century (f. 1), and a shelfmark 'D. III. g. XII' with a title 'Expositio su[per] Reg[u]lam beati Benedicti. nova', 12th century (f.
inscription (f. 2, copied on f. 1v in a 18th-century hand). Recipe for ink in Latin with English notes (f. 1), in a 17th-century hand. Stephen Potts: sold to Twysden in 1626: see Ovenden.Sir Roger Twysden (b. 1597, d. 1672),
inscription (f. 2, copied on f. 1v in a 18th-century hand). Recipe for ink in Latin with English notes (f. 1), in a 17th-century hand. Stephen Potts: sold to Twysden in 1626: see Ovenden.Sir Roger Twysden (b. 1597, d. 1672),
Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er] regula[m] s[anc]ti B[e]n[e]d[ic]ti', 14th century (f. 1), and a shelfmark 'D. III. g. XII' with a title 'Expositio su[per] Reg[u]lam beati Benedicti. nova', 12th century (f.
pen-flourishing. Blue, red and black initials. Blue paraphs. Rubric, underlining and highlighting of initials in red. Doctrinale fidei ecclesiae, Books 1 and 2 John Whethamstede (d. 1464), given by him for use of St Albans monks studying at Gloucester College,