• Detail of illuminated initial with a animal head., Decretum; collections of Alexander III's decretals, with marginal glosses

Detail of illuminated initial with a animal head. 1 large initial with a full border in colours and gold with foliage patterns, animals and figures (f. 1). 38 large foliate 'Channel-style' initials with white lions, dragons, hybrid creatures, or human

• Detail of illuminated initial with a hybrid creature., Decretum; collections of Alexander III's decretals, with marginal glosses

Detail of illuminated initial with a hybrid creature. 1 large initial with a full border in colours and gold with foliage patterns, animals and figures (f. 1). 38 large foliate 'Channel-style' initials with white lions, dragons, hybrid creatures, or human

• Detail of an inhabited initial 'P'(aulus) with white lions interlaced with a foliate scroll and an attached portrait of Peter Lombard writing the first words of his commentary, 'hunc epistola[m] / s/cribit / ap[osto]l[us]s roma/nos'., Pauline Epistles, with the commentary of Peter Lombard

indicating the length of a citation.Catchwords and bifolium signatures. 3 initials with foliate and/or zoomorphic decoration (f. 3, 170), including 1 with an author portrait attached to the initial (f. 4), in colours and gold, at the beginning of Peter

• Decorated initial and a decorated line dividing two books., Odyssey, with scholia

Greek (ff. 1, 150v; see Summary Catalogue 1999; Pontani 2005).Andreas Chrysoberges, brother of Maximos: his inscription in Greek (f. 150v; see Summary Catalogue 1999; Pontani 2005).Manuel Chrysoloras (d. 1415): possible owned, his title in Greek and Latin (ff. 1, 2,

• Coloured initials., Commentary on Phocas's Ars de nomine et verbo; Etymologiae and De nominibus legis et evangelii sive Alegoriae

blue, red, green and brown (e. g., ff. 1, 2v). Smaller initials in blue or green, some with penwork decoration in red, or in red, some with penwork decoration in green. 1 full-page diagram in colours (f. 107v), and 2

• Detail of a circular diagram representing a map of the world (a so-called 'T-O' map)., Commentary on Phocas's Ars de nomine et verbo; Etymologiae and De nominibus legis et evangelii sive Alegoriae

blue, red, green and brown (e. g., ff. 1, 2v). Smaller initials in blue or green, some with penwork decoration in red, or in red, some with penwork decoration in green. 1 full-page diagram in colours (f. 107v), and 2

• Historiated initial 'D'(omino) of Isidore, at the beginning of the prefatory letter from Isidore of Seville to Braulio, bishop of Saragossa., Commentary on Phocas's Ars de nomine et verbo; Etymologiae and De nominibus legis et evangelii sive Alegoriae

blue, red, green and brown (e. g., ff. 1, 2v). Smaller initials in blue or green, some with penwork decoration in red, or in red, some with penwork decoration in green. 1 full-page diagram in colours (f. 107v), and 2

• Decorated initials 'M'(undus) and 'A'(thomos) at the beginning of sections concerning the physical world, starting with a passage on the world, and followed by one on atoms., Commentary on Phocas's Ars de nomine et verbo; Etymologiae and De nominibus legis et evangelii sive Alegoriae

blue, red, green and brown (e. g., ff. 1, 2v). Smaller initials in blue or green, some with penwork decoration in red, or in red, some with penwork decoration in green. 1 full-page diagram in colours (f. 107v), and 2

• Decorated initial., Commentary on Phocas's Ars de nomine et verbo; Etymologiae and De nominibus legis et evangelii sive Alegoriae

blue, red, green and brown (e. g., ff. 1, 2v). Smaller initials in blue or green, some with penwork decoration in red, or in red, some with penwork decoration in green. 1 full-page diagram in colours (f. 107v), and 2

• Coloured initials, and marginal diagram is next to passages concerning the course of the sun through the sky, and the light of the moon, Commentary on Phocas's Ars de nomine et verbo; Etymologiae and De nominibus legis et evangelii sive Alegoriae

blue, red, green and brown (e. g., ff. 1, 2v). Smaller initials in blue or green, some with penwork decoration in red, or in red, some with penwork decoration in green. 1 full-page diagram in colours (f. 107v), and 2

• Decorated initials., Commentary on Phocas's Ars de nomine et verbo; Etymologiae and De nominibus legis et evangelii sive Alegoriae

blue, red, green and brown (e. g., ff. 1, 2v). Smaller initials in blue or green, some with penwork decoration in red, or in red, some with penwork decoration in green. 1 full-page diagram in colours (f. 107v), and 2

• Text page., Commentary on Phocas's Ars de nomine et verbo; Etymologiae and De nominibus legis et evangelii sive Alegoriae

blue, red, green and brown (e. g., ff. 1, 2v). Smaller initials in blue or green, some with penwork decoration in red, or in red, some with penwork decoration in green. 1 full-page diagram in colours (f. 107v), and 2

• Zoomorphic initial, with a bird body., Commentary on Phocas's Ars de nomine et verbo; Etymologiae and De nominibus legis et evangelii sive Alegoriae

blue, red, green and brown (e. g., ff. 1, 2v). Smaller initials in blue or green, some with penwork decoration in red, or in red, some with penwork decoration in green. 1 full-page diagram in colours (f. 107v), and 2

• Circular diagram representing a map of the world (a so-called 'T-O' map)., Commentary on Phocas's Ars de nomine et verbo; Etymologiae and De nominibus legis et evangelii sive Alegoriae

blue, red, green and brown (e. g., ff. 1, 2v). Smaller initials in blue or green, some with penwork decoration in red, or in red, some with penwork decoration in green. 1 full-page diagram in colours (f. 107v), and 2

• Red initial 'S'(cribo), and a drawing of hands, in a treatise concerning calendrical computations using the joints and tips of the fingers of hands: it is illustrated with drawings of the hands, marked with numbers from 1 to 7 (i to vii) and letters from A to G, at these points., 'Quomodo inueniri possint concurrentes et data cuiuslibet anni per manum'

tips of the fingers of hands: it is illustrated with drawings of the hands, marked with numbers from 1 to 7 (i to vii) and letters from A to G, at these points. Originally formed a single volume with Cotton

• The first figural poem of book 1, bordered by hybrid animals and the four Evangelist symbols, depicting Christ's body in cruciform., De laudibus sanctae crucis, prefatory material (ff. 2v-5v), book 1 (ff. 6v-34), book 2 (ff. 35-47); catalogues of the Arnstein library (ff. 47v-49); second copy of ~carminum~ 3 (f. 49v); arithmetical tables (ff. 50v-51).

The first figural poem of book 1, bordered by hybrid animals and the four Evangelist symbols, depicting Christ's body in cruciform. ff. 4v, 6, 34v, 48, and 50 are blank. f. 1 contains the beginning of ~De laudibus~, book 3:

• Text page explicating the first figural poem of book 1 (on facing page), with detail of a foliate initial 'E'(cce) in gold and colours with penwork decoration., De laudibus sanctae crucis, prefatory material (ff. 2v-5v), book 1 (ff. 6v-34), book 2 (ff. 35-47); catalogues of the Arnstein library (ff. 47v-49); second copy of ~carminum~ 3 (f. 49v); arithmetical tables (ff. 50v-51).

the first figural poem of book 1 (on facing page), with detail of a foliate initial 'E'(cce) in gold and colours with penwork decoration. ff. 4v, 6, 34v, 48, and 50 are blank. f. 1 contains the beginning of ~De

• The second figural poem of book 1, bordered by foliage, depicting a golden cross within a red, blue, and green frame., De laudibus sanctae crucis, prefatory material (ff. 2v-5v), book 1 (ff. 6v-34), book 2 (ff. 35-47); catalogues of the Arnstein library (ff. 47v-49); second copy of ~carminum~ 3 (f. 49v); arithmetical tables (ff. 50v-51).

The second figural poem of book 1, bordered by foliage, depicting a golden cross within a red, blue, and green frame. ff. 4v, 6, 34v, 48, and 50 are blank. f. 1 contains the beginning of ~De laudibus~, book 3:

• Text page explicating the second figural poem of book 1 (on facing page), with a detail of an illuminated initial 'A'(st)., De laudibus sanctae crucis, prefatory material (ff. 2v-5v), book 1 (ff. 6v-34), book 2 (ff. 35-47); catalogues of the Arnstein library (ff. 47v-49); second copy of ~carminum~ 3 (f. 49v); arithmetical tables (ff. 50v-51).

Text page explicating the second figural poem of book 1 (on facing page), with a detail of an illuminated initial 'A'(st). ff. 4v, 6, 34v, 48, and 50 are blank. f. 1 contains the beginning of ~De laudibus~, book 3:

• The third figural poem of book 1, bordered by foliage and coloured roundels, depicting the epigram, "~Crux salus~" ("The salvific Cross") in blue., De laudibus sanctae crucis, prefatory material (ff. 2v-5v), book 1 (ff. 6v-34), book 2 (ff. 35-47); catalogues of the Arnstein library (ff. 47v-49); second copy of ~carminum~ 3 (f. 49v); arithmetical tables (ff. 50v-51).

The third figural poem of book 1, bordered by foliage and coloured roundels, depicting the epigram, "~Crux salus~" ("The salvific Cross") in blue. ff. 4v, 6, 34v, 48, and 50 are blank. f. 1 contains the beginning of ~De laudibus~,