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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

715 results from this resource . Displaying 181 to 200

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

score on three five-line red staves (C clef), England, second half of the 14th century 1 diagram in red and green (f. 27v). Large red or green initials, some with penwork decoration in the other colour or both colours. Topography

on three five-line red staves (C clef), England, second half of the 14th century 1 diagram in red and green (f. 27v). Large red or green initials, some with penwork decoration in the other colour or both colours. Topography of

score on three five-line red staves (C clef), England, second half of the 14th century 1 diagram in red and green (f. 27v). Large red or green initials, some with penwork decoration in the other colour or both colours. Topography

2 historiated initials in colours (ff. 1, 2). Small simple initials in red, green, or blue. Epistola de vita S. Dunstani; Life of St Dunstan The Benedictine cathedral priory of Christ Church, Canterbury (see f. 2; Gameson 1999 p. 94).Dover

censing monk, animals, and animal heads. 2 historiated initials in colours (ff. 1, 2). Small simple initials in red, green, or blue. Epistola de vita S. Dunstani; Life of St Dunstan The Benedictine cathedral priory of Christ Church, Canterbury (see

Uncrossed tironian ets, and ampersands. ae caudatas. 1 large zoomorphic initial, in colours, in a decorated rectangular border, at the beginning of the first book (f. 2). 8 large initials in red, most with yellow penwork decoration, at the beginning

Gospels. f. 1* is a medieval parchment flyleaf.Quire signatures of Roman numerals.f. 1 contains capitula referring to the quire and folio numbers of the manuscript. 5 large initials in gold and sometimes silver with penwork decoration in red, blue, and

f. 1* is a medieval parchment flyleaf.Quire signatures of Roman numerals.f. 1 contains capitula referring to the quire and folio numbers of the manuscript. 5 large initials in gold and sometimes silver with penwork decoration in red, blue, and green,

decoration. f. 1* is a medieval parchment flyleaf.Quire signatures of Roman numerals.f. 1 contains capitula referring to the quire and folio numbers of the manuscript. 5 large initials in gold and sometimes silver with penwork decoration in red, blue, and

foliate decoration. f. 1* is a medieval parchment flyleaf.Quire signatures of Roman numerals.f. 1 contains capitula referring to the quire and folio numbers of the manuscript. 5 large initials in gold and sometimes silver with penwork decoration in red, blue,

decoration. f. 1* is a medieval parchment flyleaf.Quire signatures of Roman numerals.f. 1 contains capitula referring to the quire and folio numbers of the manuscript. 5 large initials in gold and sometimes silver with penwork decoration in red, blue, and

with clefs (ff. 7v-62v), brown (ff. 63-128v)], South-West Germany (Bohemia), end of the 12th century – beginning of the 13th. 1 miniature in brown and red ink, with washes in green, purple, and yellow (f. 40v). 4 large initials in

Harley 2800, with January-May; and the third is Harley 2802, with October-December).Ampersands.Decorated quire signatures (e.g., ff. 46v, 62v, 94). 1 full-page miniature in colours of scenes from the lives of Peter and Paul (f. 21). Large zoomorphic initial in colours

Quire marks 'i'-'vii' and quire signatures 'a'-'g' in crayon.Uncrossed tironian ets. 1 large initial in blue with a reserved line and penwork decoration in red and blue (f. 1). Numerous smaller initials in red or blue, with penwork decoration in

work in a group of manuscripts commissioned by him (see Stirnemann, 2003). Added inscription, medieval (f. 1).Added pressmark '49' (f. 1). The lower part of f. 120 has been excised to remove an ownership inscription. Part of f. 121 has

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 10 July 2024), https://www.manuscriptsonline.org/search/results?ac=f&kw=1&sdf=1175&sdt=1186&sr=ci&st=180