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to the rubricator survive.We thank François Avril for the localisation and dating of this manuscript. 1 large zoomorphic initial, in brown and red inks (f. 1). 2 large initials, in red (f. 37) or in red and other colours (f.
paper leaves with 18th-century notes in English on Orosius, perhaps in the hand of Anthony Askew. 1 large historiated initial with partial border, in colours and gold (f. 4). Large puzzle initials in red and blue, with red and mauve
a woven pattern (ff. 1, 99). Small red or brown initials. De machinis (ff. 1-9), De constructione bellicarum machinarum (ff. 9v-16) Written in 1545: colophon ( f. 358).The monastery of St Catherine, Mount Sinai: inscription (f. 1). ? John Spencer
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
and apartial border, and smaller decorated initials at the beginning of Lucan's Pharsalia. 1 large initial with a partial foliate border, in colours and gold (f. 1). Large and small initials in blue with red flourishing, or red with purple
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
inserted paper leaves with 18th-century notes in English on Orosius, perhaps in the hand of Anthony Askew. 1 large historiated initial with partial border, in colours and gold (f. 4). Large puzzle initials in red and blue, with red and
1 large initial in gold on a red and blue ground, with foliate extensions into the margins (f. 2). Smaller initials in blue with red foliate pen-flourishing. Decorated catchwords. Treatise on the Love of God and Man (ends imperfectly)
1 large initial in gold on a red and blue ground, with foliate extensions into the margins (f. 2). Smaller initials in blue with red foliate pen-flourishing. Decorated catchwords. Treatise on the Love of God and Man (ends imperfectly)
17th-century unilluminated poems by Protestant prisoners. 1 large puzzle initial in red and blue with pen-flourishing in red (f. 2). Paraph marks in plain red or blue. Fragment of a legal text Sir Hans Sloane (b. 1660, d. 1753), baronet,
in English on Orosius, perhaps in the hand of Anthony Askew. 1 large historiated initial with partial border, in colours and gold (f. 4). Large puzzle initials in red and blue, with red and mauve penwork infill and flourishing, and
to the rubricator survive.We thank François Avril for the localisation and dating of this manuscript. 1 large zoomorphic initial, in brown and red inks (f. 1). 2 large initials, in red (f. 37) or in red and other colours (f.