• Decorated initial 'T[e]' (supplices) at the beginning of the sequence of phrased Kyries., Troper and Gradual, imperfect

f. 98. Large initials in colours and gold and/or silver with penwork decoration, at the beginning of major divisions (ff. 1, 24v, 55, 184, 195), and smaller initials of the same type at the beginning of all chants. Initials in

• Decorated initials 'G'(loria) and 'L'(audemus), at the beginning of phrased Glorias., Troper and Gradual, imperfect

f. 98. Large initials in colours and gold and/or silver with penwork decoration, at the beginning of major divisions (ff. 1, 24v, 55, 184, 195), and smaller initials of the same type at the beginning of all chants. Initials in

• Illuminated initial 'H'(ic est johannes) with acanthus motifs., Gospel of John with gloss

'H'(ic est johannes) with acanthus motifs. 2 large initials in colours and gold (ff. 1v, 4). 1 large plain initial in brown ink (f. 1). Small initials in blue or green with red penwork decoration or in red with blue

• Illuminated letters 'HEC'; the 'H' and part of the 'E' on a probably post-medieval inserted patch of parchment., Glossed Exodus (index Old Testament)

'E' on a probably post-medieval inserted patch of parchment. 1 large initial excised and replaced by an initial in gold, followed by display capitals in gold on a blue ground (f. 1). Small initials in blue with red penwork, or

• Flourished initial 'D'(ixit) at the beginning of Exodus 12., Glossed Exodus (index Old Testament)

Flourished initial 'D'(ixit) at the beginning of Exodus 12. 1 large initial excised and replaced by an initial in gold, followed by display capitals in gold on a blue ground (f. 1). Small initials in blue with red penwork, or

• Decorated initial 'P'(arabolae) at the beginning of Proverbs., Glossed Proverbs (ff. 1-74) and Glossed Ecclesiastes (ff. 75-101v) with prologues (f. 74v) (index Old Testament)

first three quires of Proverbs). 3 large initials in combinations of green, yellow-brown, and blue, with foliate/arabesque motifs (ff. 1, 22, 57v); one in plain blue (f. 75). Small initials in green, blue, or red, but only as far as

• Decorated initial 'U'(anitas) at the beginning of Ecclesiastes, Glossed Proverbs (ff. 1-74) and Glossed Ecclesiastes (ff. 75-101v) with prologues (f. 74v) (index Old Testament)

first three quires of Proverbs). 3 large initials in combinations of green, yellow-brown, and blue, with foliate/arabesque motifs (ff. 1, 22, 57v); one in plain blue (f. 75). Small initials in green, blue, or red, but only as far as

• Decorated initial 'M' and puzzle initial 'Q'(uoniam) in Constantinus Africanus's Viaticum ou De omnium morborum cognitione de Allopicia., Viaticum; De elephantia aliisque morbis (ff. 92v-94v)

5 puzzle initials in red and blue with red and blue (or black) penwork decoration and pen-flourishing (ff. 1, 3v, 35, 50v, 82v). Small initials in red with black pen-flourishing, and in blue with red pen-flourishing. Small initials in red

• Flourished initials 'P'(rima) and 'P'(rincipio), the latter with foliate decoration, at the beginning of Petrus Riga's Aurora., Aurora (ends imperfectly)

initials in red or blue with foliate decoration and pen-flourishing in red, blue and green or red and green (ff. 1, 1v). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Marginal sketches of letters (ff.

• Initial ''P'(uer) at the beginning of Peter of Blois's Sermon V In nativitate domini., Epistola ad Paulinum (Epistle 53) (ff. 1-4v); Sermones; verses and tabulae (ff. 123v-124v)

and tabulae (ff. 123v-124v) Henry Savile, of Banke (b. 1568 d. 1617), collector of manuscripts: inscription 'Netlton Hnry Savil' (f. 1, upper margin, in shorthand, partly erased), see Andrew G. Watson, ~The Manuscripts of Henry Savile of Banke~ (London: Bibliographical

• Puzzle initial 'C'(apillus) with penwork decoration at the beginning of Constantinus Africanus's Viaticum ou De omnium morborum cognitione de Allopicia., Viaticum; De elephantia aliisque morbis (ff. 92v-94v)

Allopicia. 5 puzzle initials in red and blue with red and blue (or black) penwork decoration and pen-flourishing (ff. 1, 3v, 35, 50v, 82v). Small initials in red with black pen-flourishing, and in blue with red pen-flourishing. Small initials in

• Decorated initial 'I'(llic) in the form of a naked blue man., De planctu naturae

is a 13th-century copy of a poem on the nature of the world. 1 partial border made up of text on coloured background and penwork decoration (f. 1). Numerous decorated initials in gold on dark blue backgrounds, many also with

• Initial 'S'(odalium) with foliate decoration and pen-flourishing, at the beginning of Petrus Riga's Aurora., Aurora (ends imperfectly)

initials in red or blue with foliate decoration and pen-flourishing in red, blue and green or red and green (ff. 1, 1v). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Marginal sketches of letters (ff.

• Decorated initial 'M'(aria) with foliate interlace and clasps, at the reading for Easter., Lectionary, imperfect

small initials in red. Lectionary, imperfect The Carthsians of Mainz (14th century inscription:.'. . . est carthus(ensium) p(ro)pe mogu(n)cia(m)'), f. 1. 15th century additions (ff. 115v-116) in German cursive script.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel,

• Detail of puzzle initial 'Q'(uoniam) in Constantinus Africanus's Viaticum ou De omnium morborum cognitione de Allopicia., Viaticum; De elephantia aliisque morbis (ff. 92v-94v)

puzzle initials in red and blue with red and blue (or black) penwork decoration and pen-flourishing (ff. 1, 3v, 35, 50v, 82v). Small initials in red with black pen-flourishing, and in blue with red pen-flourishing. Small initials in red or

• Flourished initials 'P'(rima) and 'P'(rincipio), the latter with foliate decoration, at the beginning of Petrus Riga's Aurora., Aurora (ends imperfectly)

initials in red or blue with foliate decoration and pen-flourishing in red, blue and green or red and green (ff. 1, 1v). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Marginal sketches of letters (ff.

• Detail of an initial 'S'(odalium) with foliate decoration, at the beginning of Petrus Riga's Aurora., Aurora (ends imperfectly)

initials in red or blue with foliate decoration and pen-flourishing in red, blue and green or red and green (ff. 1, 1v). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Marginal sketches of letters (ff.

• Diagram, at the end of an explanation to the Tables for finding the moveable feasts, the age of the moon, the golden number and the hour of the new moon., De coloribus urinarum; Tables for finding the moveable feasts, the age of the moon, the golden number and the hour of the new moon

identifies two scribes of Arundel 44 in two leaves of this manuscripts (f. 32 (Scribe 4); and f. 33 (Scribe 1)). Diagrams. De coloribus urinarum; Tables for finding the moveable feasts, the age of the moon, the golden number and

• Decorated initial 'T'(ercia) and coloured initials in a fragment from Gratian's Decretal., Decretal, fragment (Part II, Causæ xii-xvi)

Gratian's Decretal. Large and small initials in red or purple, 1 with penwork decoration (f. 71v). Decretal, fragment (Part II, Causæ xii-xvi) Short verse inscribed in a first half of the 14th century hand (ff. 4, 69v).Laurence Nowell (b. 1530,

• Full-page miniature, in two registers of a man lying in a bed and a standing angel gesturing to him, below, and above his vision of receiving a crown from God in a mandorla, with angels presenting him in the clouds, and to the right, a historiated initial of a seated nimbed man with a scroll above a monk writing at a desk, possibly the author, with standing men., Theological miscellany, including various sermons

author, with standing men. Musical notation (ff. 143v-147v; 152v-153; staves only (ff. 153v-154). 1 full-page miniature in ink with washes in green, blue, and red (f. 1v). 1 very large historiated initial in ink with washes in green, blue, and