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'Cum fortuitu in manus meas…' (f. 1) and the Epistle of Eusebius to Carpianus (f. 2v).Catchwords and quire signatures. 4 initials in red with foliate penwork decoration in green, yellow, and brown (ff. 1, 2v, 3, 8v). Initials in red
gold, in the calendar (ff. 1-6v). 8 large historiated initials (ff. 7, 29v, 44v, 58v, 71v, 88v, 105, 122v) and 1 foliate initial (f. 107) in colours and gold, at the beginning of major Psalm divisions. Smaller initials in gold
gold, in the calendar (ff. 1-6v). 8 large historiated initials (ff. 7, 29v, 44v, 58v, 71v, 88v, 105, 122v) and 1 foliate initial (f. 107) in colours and gold, at the beginning of major Psalm divisions. Smaller initials in gold
gold, in the calendar (ff. 1-6v). 8 large historiated initials (ff. 7, 29v, 44v, 58v, 71v, 88v, 105, 122v) and 1 foliate initial (f. 107) in colours and gold, at the beginning of major Psalm divisions. Smaller initials in gold
gold, in the calendar (ff. 1-6v). 8 large historiated initials (ff. 7, 29v, 44v, 58v, 71v, 88v, 105, 122v) and 1 foliate initial (f. 107) in colours and gold, at the beginning of major Psalm divisions. Smaller initials in gold
including a note (f. iii), c. 1885, on the Salzburg Breviary, MS. V 1 D 47 in the Studienbibliothek, Salzburg, by the librarian there, Alois Joseph Hammerle.Ampersands. 1 full-page diagram in green, red, blue, and brown (f. 14). Large 'KL'
Lambeth Palace 76, Oxford, Bodleian Library, Bodley 134, Rochester A 3. 5.Quire signatures (Part 2). 1 initial in black with penwork decoration in red and 1 in red with penwork decoration in brown (f. 2). Initials in red. Catalogue of
Lambeth Palace 76, Oxford, Bodleian Library, Bodley 134, Rochester A 3. 5.Quire signatures (Part 2). 1 initial in black with penwork decoration in red and 1 in red with penwork decoration in brown (f. 2). Initials in red. Catalogue of
Lambeth Palace 76, Oxford, Bodleian Library, Bodley 134, Rochester A 3. 5.Quire signatures (Part 2). 1 initial in black with penwork decoration in red and 1 in red with penwork decoration in brown (f. 2). Initials in red. Catalogue of
harp, and David killing Goliath, at the beginning of Psalm 1 Associated by Branner 1977 with the 'Corpus' Atelier (Corpus Iuris Civilis, Copenhagen Gl. Kgl. S ms. 393).Includes a calendar (ff. 1-6v) and litany with prayers (ff. 172v-179v).Guide letters, catchwords,
and David killing Goliath, at the beginning of Psalm 1 Associated by Branner 1977 with the 'Corpus' Atelier (Corpus Iuris Civilis, Copenhagen Gl. Kgl. S ms. 393).Includes a calendar (ff. 1-6v) and litany with prayers (ff. 172v-179v).Guide letters, catchwords, and
gold, in the calendar (ff. 1-6v). 8 large historiated initials (ff. 7, 29v, 44v, 58v, 71v, 88v, 105, 122v) and 1 foliate initial (f. 107) in colours and gold, at the beginning of major Psalm divisions. Smaller initials in gold
gold, in the calendar (ff. 1-6v). 8 large historiated initials (ff. 7, 29v, 44v, 58v, 71v, 88v, 105, 122v) and 1 foliate initial (f. 107) in colours and gold, at the beginning of major Psalm divisions. Smaller initials in gold
gold, in the calendar (ff. 1-6v). 8 large historiated initials (ff. 7, 29v, 44v, 58v, 71v, 88v, 105, 122v) and 1 foliate initial (f. 107) in colours and gold, at the beginning of major Psalm divisions. Smaller initials in gold
with foliate motifs and clasps, occasionally with grotesques and animals, once with a bearded head, for the prologue and books 1, 2, 5 and 8 (ff. 2v, 3, 13v, 38v, 74). 2 large initials in red, with arabesque motifs in
head, David playing the harp, and David beheading Goliath, at the beginning of Psalm 1. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of
head, David playing the harp, and David beheading Goliath, at the beginning of Psalm 1. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of
head, David playing the harp, and David beheading Goliath, at the beginning of Psalm 1. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of
Pseudo-Ambrose's De conflictu vitiorum atque virtutum. Part 1 includes capitula to Enchiridion (ff. i-iiv). According to the unpublished notes of Michael Gullick, written in the Christ Church script, probably by the scribe of Cambridge University Library, Kk.1.17 and Cambridge, Corpus
of John Chrysostom's De muliere Chananaea. Part 1 includes capitula to Enchiridion (ff. i-iiv). According to the unpublished notes of Michael Gullick, written in the Christ Church script, probably by the scribe of Cambridge University Library, Kk.1.17 and Cambridge, Corpus