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the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate
'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate
and human heads. Leaves lost before f. 1 and after 147.f. 148 is from a different ?mid-12th century liturgical manuscript with red and blue penwork initials. Catchwords.f. 1* is a paper flyleaf, f. 148 is a medieval parchment flyleaf.This manuscript
with various inscriptions. 2 large initials in blue with red penwork decoration (ff. 1, 7). Paraphs in blue. Capitals marked in yellow. Marginal notes in red. Eligantiae (with an alphabetical list of words, ff. 73-87) (index Elegantiolae) Giles Grene: sixteenth-century
is the earliest richly illuminated manuscript with fairly definite evidence of having been made in Oxford, according to Morgan 1982. 1 half-page miniature at the beginning of a prayer to the Holy Face, or Veronica image, in colours and gold
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the title, and an illuminated initial 'B'(iblos) at the beginning of the Gospel of Matthew. 5 headpieces, 1 in brown and blue (f. 1), and 4 decorated with foliate patterns in gold and colours, together with large initials in gold
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIII…'(?), inside upper cover).Purchased by the British Museum from the Royal Society of
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIII…'(?), inside upper cover).Purchased by the British Museum from the Royal Society of
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIII…'(?), inside upper cover).Purchased by the British Museum from the Royal Society of
(ff. 1-3v). Ff. 4-141v and 171v-221: 2 large historiated initials, developing partial borders, in colours and gold (ff. 4, 6v). 1 large decorated initial with extension into the margin, in colours and gold (f. 5v). Large puzzle initials in red
medieval red ink 'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork