Your search found 2801 results in 1 resource
the relevant fragments and in the lower margin of each folio. 1 large foliate initial in colours and gold, with display script, at the beginning of the prologue (f. 1). Puzzle initials in red and blue with penwork decoration in
the relevant fragments and in the lower margin of each folio. 1 large foliate initial in colours and gold, with display script, at the beginning of the prologue (f. 1). Puzzle initials in red and blue with penwork decoration in
T2' and 'T 2' (f. 1) and recorded in the 14th-century catalogue of books in the Spendement (see ~Medieval Libraries~ 1987).Sir Thomas Tempest (d. 1743), 4th baronet, county Durham: inscribed 'Sr. Thomas Temp[es]t Baronet' (f. 1), (see A. I. Doyle,
large initials in colours and gold enclosing a flower or acanthus leaves, with foliate feathering extending into the margin (ff. 1, 47, 54). Large initial in colours and gold enclosing an acanthus leaf (f. 32). Initials in blue with red
1 preliminary drawing of an initial in ink (f. 51v). 1 puzzle initial in blue and black with blue and black pen-flourishing (f. 13), and 1 puzzle initial in red and blue with red and blue pen-flourishing (f. 61).
1 large puzzle initial in red and blue with pen-flourishing in blue and red (f. 1). Smaller and small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Summa de vitiis et virtutibus (index Summa virtutum) Inscriptions
Puzzle initial 'F'(rater) at the beginning of the general prologue, with possible ownership inscriptions in the upper margin. With 'modern' chapter divisions; chapters do not start on new lines; the Psalms are present, and the initials to Psalms 51
Puzzle initial 'I'(n) at the beginning of Genesis. With 'modern' chapter divisions; chapters do not start on new lines; the Psalms are present, and the initials to Psalms 51 and 101 are not emphasised. Large puzzle initials in blue
ownership inscription and shelfmark of the reformed fathers of Conegliano. 2 large initials, in colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and
colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower
colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower
colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower
colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower
colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower
Christ, at the beginning of John Mandeville's Itinerarium. 1 large initial in red with reserved designs, incorporating a shield with the symbols of the Passion of Christ, with red pen-flourishing (f. 1). Large and small initials in plain red. Itinerarium
the prologue to 1 Kings. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford,
the beginning of 1 Kings. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford,
the beginning of 1 Chronicles. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford,
the prologue to 1 Maccabees. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford,
now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and