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1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.
1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.
1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.
1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.
1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.
1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.
1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.
1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.
1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.
1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
and bifolium signatures (ff. 119-311). 1 historiated initial in colours and, at the beginning of Job (f. 3). 1 foliate initial in colours and gold, at the beginning of the prologue to Job (f. 1).1 large puzzle initials with
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or