• Decorated initials 'Primum quidem' at the beginning of Acts., Leaf of a Bible, Acts 1:1-4:31, bound with the recto as the verso

Decorated initials 'Primum quidem' at the beginning of Acts. The manuscript is a collection of fragments and leaves. Not described separately: ff. 1-23v; 25-29v; 31, 34, 36-37, 41-43, 45, 48-51, 52-54, 57-59, 60-64, 66, 79, 84-86, 89, 90-96, 98-99,

• Foliate initial 'C'(um) at the beginning of the prologue, with the ownership inscription of the Carthusian priory of St. Mary, St. John the Baptist and All Saints in Henton, Somerset, reading 'Explanat[i]o d[omi]ni Rad[u]l/phii Flaviacens[is] monachi / sup[er] librum Leviticum / Liber. Undecimus in E. / Hentone. ord[inis] Chartusie', and names of John Lumley and Thomas Cranmer, archbishop of Canterbury., Commentary on Leviticus

the relevant fragments and in the lower margin of each folio. 1 large foliate initial in colours and gold, with display script, at the beginning of the prologue (f. 1). Puzzle initials in red and blue with penwork decoration in

• Puzzle initial 'P'(recedentis) with a foliate decoration, at the beginning of the prologue to book 15., Commentary on Leviticus

the relevant fragments and in the lower margin of each folio. 1 large foliate initial in colours and gold, with display script, at the beginning of the prologue (f. 1). Puzzle initials in red and blue with penwork decoration in

• Decorated initial 'D'(ominus) enclosing a flower, with foliate feathering extending into the margin, at the beginning of the text., Homiliae X ad monachos (ff. 1-31v); De vita christiana ad sororem suam (ff. 32-46v); Homiliae X ad monachos (ff. 47-72v)

large initials in colours and gold enclosing a flower or acanthus leaves, with foliate feathering extending into the margin (ff. 1, 47, 54). Large initial in colours and gold enclosing an acanthus leaf (f. 32). Initials in blue with red

• Detail of a marginal drawing of two scholars pointing at geometrical figures., Sophistici Elenchi, Topica, Analytica Priora, Analytica Posteriora

1 preliminary drawing of an initial in ink (f. 51v). 1 puzzle initial in blue and black with blue and black pen-flourishing (f. 13), and 1 puzzle initial in red and blue with red and blue pen-flourishing (f. 61).

• Puzzle initial 'F'(rater) at the beginning of the general prologue, with possible ownership inscriptions in the upper margin., Bible, with prologues

Puzzle initial 'F'(rater) at the beginning of the general prologue, with possible ownership inscriptions in the upper margin. With 'modern' chapter divisions; chapters do not start on new lines; the Psalms are present, and the initials to Psalms 51

• Puzzle initial 'I'(n) at the beginning of Genesis., Bible, with prologues

Puzzle initial 'I'(n) at the beginning of Genesis. With 'modern' chapter divisions; chapters do not start on new lines; the Psalms are present, and the initials to Psalms 51 and 101 are not emphasised. Large puzzle initials in blue

• Illuminated initials 'P'(hebeo) and 'S'(epe) at the beginning of the first text, the lower margin with the ownership inscription and shelfmark of the reformed fathers of Conegliano., Works

ownership inscription and shelfmark of the reformed fathers of Conegliano. 2 large initials, in colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and

• null, Works

colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower

• null, Works

colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower

• null, Works

colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower

• null, Works

colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower

• null, Works

colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower

• Flourished initial 'C'(um), incorporating a shield with the symbols of the Passion of Christ, at the beginning of John Mandeville's Itinerarium., Itinerarium (index Travels)

Christ, at the beginning of John Mandeville's Itinerarium. 1 large initial in red with reserved designs, incorporating a shield with the symbols of the Passion of Christ, with red pen-flourishing (f. 1). Large and small initials in plain red. Itinerarium

• Text page., Epistolae and religious tracts

these quires. 5 illuminated initials in gold on blue or blue and red grounds with penwork decoration in white (ff. 1, 88v, 102, 104, 108), one at the beginning of each text. Red and blue initials with contrasting penwork decoration

• Initial 'H'(enrico) with foliate decoration at the beginning of the ~Compendium in Iob~ of Peter of Blois., Epistolae and religious tracts

these quires. 5 illuminated initials in gold on blue or blue and red grounds with penwork decoration in white (ff. 1, 88v, 102, 104, 108), one at the beginning of each text. Red and blue initials with contrasting penwork decoration

• Initial 'H'(enrico) with foliate decoration at the beginning of the prefatory epistle to Henry II in Peter of Blois' ~Epistolae~., Epistolae and religious tracts

these quires. 5 illuminated initials in gold on blue or blue and red grounds with penwork decoration in white (ff. 1, 88v, 102, 104, 108), one at the beginning of each text. Red and blue initials with contrasting penwork decoration

• Initial 'D'(um) decorated with a bird at the beginning of the ~Exhortationes~ of Peter of Blois., Epistolae and religious tracts

these quires. 5 illuminated initials in gold on blue or blue and red grounds with penwork decoration in white (ff. 1, 88v, 102, 104, 108), one at the beginning of each text. Red and blue initials with contrasting penwork decoration

• Detail of decorated initial., Extracts from the Moralia in Job

darker brown ink. Large and small initials in red, some with patterned decoration, or red or blue penwork decoration. 1 blue initial with red penwork decoration (f. 148v); 2 blue initials without decoration (ff. 219v, 222v). Highlights in red at

• Decorated initial 'O'(iez seigneurs baruns deu uus creisse buntez)., Chanson of Gui de Bourgogne (ff. 1-32), Chastoiement d'un Père à son fils, imperfect at the end (ff. 32v-46v), an excerpt from the Romance of Alexander the Great, the ordinary abridgment of Julius Valerius (ff. 47-56), extracts from De ortu et obitu patriarcharum (ff. 56v-58), Chanson of Horn, imperfect at the beginning and at the end (ff. 59-73v)

added table of contents in a cursive hand. Large initial in green with red penwork decoration (f. 1). Smaller initials in green or red. Capitals marked in red. Chanson of Gui de Bourgogne (ff. 1-32), Chastoiement d'un Père à son