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British Library Catalogue of Illuminated Manuscripts
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
and bifolium signatures (ff. 119-311). 1 historiated initial in colours and, at the beginning of Job (f. 3). 1 foliate initial in colours and gold, at the beginning of the prologue to Job (f. 1).1 large puzzle initials with
Beginning of the genealogy text, with the beginning of a genealogical tree. ff. 94-95 added in the 16th century. Drawings of heraldic shields in colours (ff. 1-6). Sketches in brown ink of heraldic beasts, including a swan, a bear,
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
Kanonistische Abteilung, 69 (1983), 143-99).Catchwords and quire signatures; correction signs (e.g., f. 239v). 1 large foliate initial in colours, with display script, at the beginning of book 1 (f. 2). Initials in blue, red, and green with a foliate penwork
Kanonistische Abteilung, 69 (1983), 143-99).Catchwords and quire signatures; correction signs (e.g., f. 239v). 1 large foliate initial in colours, with display script, at the beginning of book 1 (f. 2). Initials in blue, red, and green with a foliate penwork
Kanonistische Abteilung, 69 (1983), 143-99).Catchwords and quire signatures; correction signs (e.g., f. 239v). 1 large foliate initial in colours, with display script, at the beginning of book 1 (f. 2). Initials in blue, red, and green with a foliate penwork
Kanonistische Abteilung, 69 (1983), 143-99).Catchwords and quire signatures; correction signs (e.g., f. 239v). 1 large foliate initial in colours, with display script, at the beginning of book 1 (f. 2). Initials in blue, red, and green with a foliate penwork
the cloth of Veronica. Part 1: The texts are part of the Katherine group, also found in Oxford, Bodleian Library Bodley 34 and London, British Library Cotton Titus D XVIII . They are copied in the same West-Midlands dialect as
begins, 'In deserto manna colligentes alius integrum'. Incipit (Book 1): 'Invisibilia dei a creatura...'A table of tituli precedes each book. 1 large initial in blue with red penwork decoration (f. 1). Smaller plain initials in red or blue. Paraphs marked
paper by a professional scribe for Crophill.ff. 36v-52v: Crophill's autograph notebook. 1 large initial in colours, gold, and silver (oxidised) with foliate extentions forming a partial border (f. 1). Numerous marginal sketches in brown ink of animals, birds, fish, ships
Names at the end (part of the original campaign). Psalms incomplete (only Psalm 1 to the middle of Psalm 5 on f. 127v). Chapters start on a new line. Text with concordance (ff. 321v-324).Guide letters in the margins for initials
or pen-flourishing in various colours at the beginning of the preface and books (ff. 1, 2, 18, 32v, 50v, 67v, 88v, 109, 123, 134v, 145, 160v). 1 large initial in red and blue (f. 2). Plain initials in green, red,
and 119-122). 2 foliate initials in colours and gold, at the beginning of Isaiah and the prologue to Isaiah (ff. 1, 2v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the text. Paraphs in red
be replaced by Arabic numerals (2 sets of foliation in Arabic numerals on some folios). 1 large historiated initial with a friar writing (f. 1; perhaps added, see notes). Large initials in red and/or blue (puzzle or in a single