• Coloured drawings of a saint being brought food (?) by ravens and a person praying in bed., La Cronica General de España (tercera parte)

some with purple penwork decoration. 3 large coloured drawings in a different style pasted inside upper and lower covers (ff. 1, 394). La Cronica General de España (tercera parte) Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed

• Coloured drawing of a king and queen., La Cronica General de España (tercera parte)

some with purple penwork decoration. 3 large coloured drawings in a different style pasted inside upper and lower covers (ff. 1, 394). La Cronica General de España (tercera parte) Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed

• Full border with coats of arms of Anne of Brittany and the initial 'A'., Chronicles of the Dukes and Princes of Brittany (Le livre des croniques des roys, ducs et princes de Bretaigne)

arms, crowned and surrounded by a cordelière (f. 1); the text is dedicated to her as queen of France (f. 1).The library at Château d’Anet, with the usual mark, partially trimmed (f. 1, left-hand upper margin).Louis Henri de Loménie (index

• Historiated initial 'E'(dwardus) with a bishop kneeling before king Edward III, combined with a foliate bar border., Registrum brevium

Historiated initial 'E'(dwardus) with a bishop kneeling before king Edward III, combined with a foliate bar border. f. 1* is a parchment flyleaf with various added inscriptions.Including a list of contents (ff. 1-10) followed by an added alphabetical index

• Initial 'L'(ocutus) with floral penwork decoration and pen-flourishing including the head of a grotesque at the beginning of Augustine's 'De disciplina christiana'., Theological miscellany

penwork decoration often including foliate forms, occasionally with pen-flourishing (ff. 1, 9, 11v, 12v, 31, 53, 57v, 80). 1 puzzle initial in red and blue with pen-flourishing (f. 61v). 1 simple initial in blue with pen-flourishing in red (f. 60).

• Puzzle initial 'O'(riens) with foliate motifs at the beginning of the 'Liber sancti Gilberti'., The Book of St Gilbert

Puzzle initial 'O'(riens) with foliate motifs at the beginning of the 'Liber sancti Gilberti'. Erased inscriptions (ff. 1, 129v); catchwords.Crossed tironian ets. 1 large and framed puzzle initial in red, blue and brown, with foliate motifs on a coloured ground

• Decorated initial 'A'(monge) and flourished initial 'I'(n), at the beginning of the Treatise on the Love of God and Man., Treatise on the Love of God and Man (ends imperfectly)

of the Treatise on the Love of God and Man. 1 large initial in gold on a red and blue ground, with foliate extensions into the margins (f. 2). Smaller initials in blue with red foliate pen-flourishing. Decorated catchwords. Treatise

• Historiated initial 'I'(n principio) of the Days of Creation, the Temptation and the Crucifixion, with marginal bar extensions with dragons and hybrids, at the beginning of Genesis., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Puzzle initial 'F'(rater) at the beginning of the prologue to Genesis., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Detail of a puzzle initial 'H'(ec) at the beginning of Exodus., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Detail of a puzzle initial 'V'(ocavit), at the beginning of Leviticus., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Detail of an initial 'L'(ocutus), at the beginning of Numbers., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Detail of an initial 'H'(ec sunt), at the beginning of Deuteronomy., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Detail of an initial 'T'(andem), at the beginning of the prologue to Joshua., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Detail of a puzzle initial 'E'(t), at the beginning of Joshua., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Detail of an initial 'P'(ost mortem), at the beginning of Judges., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Detail of an initial 'I'(n diebus), at the beginning of Ruth., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Detail of an initial 'F'(actum est), at the beginning of 2 Kings., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Detail of an initial 'E'(t rex), at the beginning of 3 Kings., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and

• Detail of an initial 'P'(revaricatus), at the beginning of 4 Kings., Bible, with the Interpretation of Hebrew names (the 'Lumley Bible')

now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I, Oxford, Corpus Christi College I, and Oxford, New College 306, influenced by Parisian illumination in style and