• null, Corpus iuris civilis, including the Digestum novum (ff. 1-121v); the Codex Justinianus (ff. 122-276v); Institutiones (ff. 277-307); and Novellae constitutiones post codicem (ff. 307-378v) (index Digest, Pandects)

Burney 278.Running titles added in Humanistic script. 6 historiated initials (ff. 1, 122, 156v, 167, 277, 307) in colours and gold. Large initials in colours and gold, sometimes with animal heads, and 2 red and blue puzzle initials. Small red

• null, Corpus iuris civilis, including the Digestum novum (ff. 1-121v); the Codex Justinianus (ff. 122-276v); Institutiones (ff. 277-307); and Novellae constitutiones post codicem (ff. 307-378v) (index Digest, Pandects)

Burney 278.Running titles added in Humanistic script. 6 historiated initials (ff. 1, 122, 156v, 167, 277, 307) in colours and gold. Large initials in colours and gold, sometimes with animal heads, and 2 red and blue puzzle initials. Small red

• null, Corpus iuris civilis, including the Digestum novum (ff. 1-121v); the Codex Justinianus (ff. 122-276v); Institutiones (ff. 277-307); and Novellae constitutiones post codicem (ff. 307-378v) (index Digest, Pandects)

Burney 278.Running titles added in Humanistic script. 6 historiated initials (ff. 1, 122, 156v, 167, 277, 307) in colours and gold. Large initials in colours and gold, sometimes with animal heads, and 2 red and blue puzzle initials. Small red

• Historiated initial 'I'(n) divided into five niches, each containing a seated figure, at the beginning of the Codex Justinianus of Justinian's Corpus iuris civilis. At the top is a crowned figure, representing the Emperor Justinian, looking down at the other men, each of whom holds a gold book, and small coloured initials., Corpus iuris civilis, including the Digestum novum (ff. 1-121v); the Codex Justinianus (ff. 122-276v); Institutiones (ff. 277-307); and Novellae constitutiones post codicem (ff. 307-378v) (index Digest, Pandects)

the second half of a single volume bound with Burney 278.Running titles added in Humanistic script. 6 historiated initials (ff. 1, 122, 156v, 167, 277, 307) in colours and gold. Large initials in colours and gold, sometimes with animal heads,

• Decorated initial 'R'(everentissimo), and in the upper margin, the ownership inscriptions of Thomas Fytton and Philip Mainwaring., In Lucam

beginning of books and prefatory material (ff. 2, 7, 42v, 72v, 100v, 127v, 157v). 1 large initial in red with green penwork decoration (f. 2v). 1 large initial in red with green and red penwork decoration (f. 4). Initials in

• Historiated initial 'D'(eus) with a man standing in a doorway welcoming the sun, at the beginning of Prime. On the upper bar border are a hybrid creature, and a centaur shooting an arrow at a rabbit., Book of Hours, including Hours of the Holy Spirit and of the Passion

Historiated initial 'D'(eus) with a man standing in a doorway welcoming the sun, at the beginning of Prime. On the upper bar border are a hybrid creature, and a centaur shooting an arrow at a rabbit. Some of the

• Historiated initial 'D'(eus) of a man making a bed (?) with the Holy Spirit in the form of a dove, with hybrid creatures in the border and one in the decorated intial 'B'(eati), at the beginning of Compline in the Hours of the Holy Spirit., Book of Hours, including Hours of the Holy Spirit and of the Passion

Historiated initial 'D'(eus) of a man making a bed (?) with the Holy Spirit in the form of a dove, with hybrid creatures in the border and one in the decorated intial 'B'(eati), at the beginning of Compline in

• Ownership inscriptions of Mysterys Felys (Mistress Phyllis), who requests, 'If you find my book take the pain to bring it home to me' (?), and of Robert Colston of Nottingham., Book of Hours, including Hours of the Holy Spirit and of the Passion

Ownership inscriptions of Mysterys Felys (Mistress Phyllis), who requests, 'If you find my book take the pain to bring it home to me' (?), and of Robert Colston of Nottingham. Some of the texts were recommended in contemporary treatises

• Historiated initial 'D'(eus) with musicians and dancers, and on the bar border, a bird and a hybrid creature, at the beginning of None., Book of Hours, including Hours of the Holy Spirit and of the Passion

Historiated initial 'D'(eus) with musicians and dancers, and on the bar border, a bird and a hybrid creature, at the beginning of None. Some of the texts were recommended in contemporary treatises for the devotions of anchoresses, suggesting that

• Historiated initial 'D'(eus) with a man sitting up in bed, gesturing to the sun, and on the bar border, a stork, rabbit, and a centaur shooting at a bird, at the beginning of Prime in the Hours of the Holy Spirit., Book of Hours, including Hours of the Holy Spirit and of the Passion

Historiated initial 'D'(eus) with a man sitting up in bed, gesturing to the sun, and on the bar border, a stork, rabbit, and a centaur shooting at a bird, at the beginning of Prime in the Hours of the

• Historiated initial 'C'(onverte) with two men preparing beds, the dark blue background and a lamp with a red flame setting the scene at night, at the beginning of the Hours of the Virgin, the beginning of the prayers for Compline., Book of Hours, including Hours of the Holy Spirit and of the Passion

Historiated initial 'C'(onverte) with two men preparing beds, the dark blue background and a lamp with a red flame setting the scene at night, at the beginning of the Hours of the Virgin, the beginning of the prayers for

• Historiated initial 'D'(ilexi) with a scene of a funeral service, with a rabbit, hybrid creatures, and a centaur shooting an arrow on the upper bar border, at the beginning of the Office of the Dead., Book of Hours, including Hours of the Holy Spirit and of the Passion

Historiated initial 'D'(ilexi) with a scene of a funeral service, with a rabbit, hybrid creatures, and a centaur shooting an arrow on the upper bar border, at the beginning of the Office of the Dead. Some of the texts

• Historiated initial 'D'(eus) of three clerics kneeling before an altar, with the Holy Spirit in the form of a dove above, and a hybrid creature in the margin, at the beginning of Terce in the Hours of the Holy Spirit., Book of Hours, including Hours of the Holy Spirit and of the Passion

Historiated initial 'D'(eus) of three clerics kneeling before an altar, with the Holy Spirit in the form of a dove above, and a hybrid creature in the margin, at the beginning of Terce in the Hours of the Holy

• Detail of a miniature of a bishop with two priests, one before an altar, illustrating a case of a bishop removing a priest from a church and substituting another, with a foliate initial 'S'(ententia), at the beginning of causa 9., Decretum, with the Glossa ordinaria

for the running titles. 38 miniatures in colours and gold, at the beginning of each causa, and parts 1 and 3 (ff. 1, 82v, 102v, 119v, 127, 128v, 130v, 133v, 139v, 142v, 145, 148, 159v, 169v, 173v, 176, 180v, 193v,

• Detail of a miniature of two laymen discussing with a cleric, and two churches with altars, illustrating a case of people moving from one diocese to another, with a foliate initial 'D'(iocesiani), at the beginning of causa 13., Decretum, with the Glossa ordinaria

for the running titles. 38 miniatures in colours and gold, at the beginning of each causa, and parts 1 and 3 (ff. 1, 82v, 102v, 119v, 127, 128v, 130v, 133v, 139v, 142v, 145, 148, 159v, 169v, 173v, 176, 180v, 193v,

• Detail of a miniature of a monk and two laymen with a monastic habit, illustrating the case of two novices, one of whom becomes a monk, while the other returns to the world, with a foliate initial 'D'(uo), at the beginning of causa 20., Decretum, with the Glossa ordinaria

for the running titles. 38 miniatures in colours and gold, at the beginning of each causa, and parts 1 and 3 (ff. 1, 82v, 102v, 119v, 127, 128v, 130v, 133v, 139v, 142v, 145, 148, 159v, 169v, 173v, 176, 180v, 193v,

• Detail of a miniature of a dying man with a woman at this bed, and the woman marring another man, illustrating a case of a widow who married a man with whom she had committed an adultery, with a foliate initial 'U'(xorem), at the beginning of causa 31., Decretum, with the Glossa ordinaria

for the running titles. 38 miniatures in colours and gold, at the beginning of each causa, and parts 1 and 3 (ff. 1, 82v, 102v, 119v, 127, 128v, 130v, 133v, 139v, 142v, 145, 148, 159v, 169v, 173v, 176, 180v, 193v,

• Detail of a page: decorated initial word accompanied by a dragon in the main text; decorated initial-word panel in the marginal text., Pentateuch with Targum Onkelos and Rashi's commentary (ff. 1-272), Five Scrolls (~Hamesh megillot~; ff. 273-311v) and ~Haftarot~(ff. 312-381) with Rashi's commentary

supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), nos. 3046-3047 (dated 1569-71, Reggio Emilia). 1 inhabited initial-word panel in ink (f. 322v). 26 decorated and inhabited initial-word panels/initial words with silver, gold and red

• Detail: ~carmina figurata~ of a hybrid, at ~parashat matot~ (Num. 30:2-32:42)., Pentateuch with Targum Onkelos and Rashi's commentary (ff. 1-272), Five Scrolls (~Hamesh megillot~; ff. 273-311v) and ~Haftarot~(ff. 312-381) with Rashi's commentary

supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), nos. 3046-3047 (dated 1569-71, Reggio Emilia). 1 inhabited initial-word panel in ink (f. 322v). 26 decorated and inhabited initial-word panels/initial words with silver, gold and red

• Historiated initial 'F'(rater) of Jerome writing at a writing desk, at the beginning of the Prologue, with foliate decoration and a dragon., Bible, with the Interpretation of Hebrew names

Hebrew names (ff. 311-344). 2 historiated initials in gold and colours at the beginning of the Prologue and Genesis (ff. 1, 3). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of other books and