• Text page., Apparatus ad Sextum; Liber sextus Decretalium; Apparatus ad Sextum

signatures; lemmas underlined in yellow. 1 miniature and 1 historiated initial in colours and gold, with full borders, at the beginning of the Apparatus ad Sextum of Guido de Baysio and the Liber sextus (ff. 1, 107). Large foliate initials

• Historiated initial 'Q'(uoniam) of the Dominican friar, John of Freiburg, teaching a group of pupils., Summa confessorum

in simple penwork frames. 1 historiated initial in colours and gold with a partial bar border with a dragon motif (f. 1). 2 initials in colours and gold with partial bar borders and foliate motifs (f. 1). Large puzzle initials

• Decorated initial 'Q' with a partial bar border., Summa confessorum

in simple penwork frames. 1 historiated initial in colours and gold with a partial bar border with a dragon motif (f. 1). 2 initials in colours and gold with partial bar borders and foliate motifs (f. 1). Large puzzle initials

• Puzzle initial and pen-flourished initials., Summa confessorum

in simple penwork frames. 1 historiated initial in colours and gold with a partial bar border with a dragon motif (f. 1). 2 initials in colours and gold with partial bar borders and foliate motifs (f. 1). Large puzzle initials

• Historiated puzzle initial 'D'(eus) with Thomas Aquinas., Life of Thomas Aquinas

Historiated puzzle initial 'D'(eus) with Thomas Aquinas. 1 historiated puzzle initial in red and blue with pen-flourishing in red, extending into a partial border in red and blue (f. 1). Small initials in blue with red pen-flourishing. Paraph marks in

• Miniature of the pope Boniface VIII with a canonist holding a book before him; and a foliate initial 'B'(onifacius) and a full border including two grotesques in the bas-de-page, at the beginning of Liber sextus., Apparatus ad Sextum; Liber sextus Decretalium; Apparatus ad Sextum

signatures; lemmas underlined in yellow. 1 miniature and 1 historiated initial in colours and gold, with full borders, at the beginning of the Apparatus ad Sextum of Guido de Baysio and the Liber sextus (ff. 1, 107). Large foliate initials

• Text page with title in rustic capitals., Retractatio de animae quantitate (index On the Size of the Soul) (ff. 1-32v); Paschalis operis (index Carmen paschale), libri 5 (ff. 33-70v), Commentary on the Apocalypse (ff. 71-84v)

Ganz, 'the hands show marked Tours influence especially in the half uncial.' Title in rustic capitials and 1 large initial in red (f. 1). Plain initials in black. Rubrics and abbreviations of protagonists' names in red. Retractatio de animae quantitate

• Part of a full foliate border, at the beginning of a Breviary., Ordinal, and noted Breviary, Use of Sarum (ff. 1-100), Metrologus de plana musica (ff. 100-117v), Offences which deserve excommunication (f. 118, fragment)

he was known as Lord Poynings.Musical notation. 1 large initial in gold on a ground in blue and red, incorporating heraldic arms, and a full foliate border, in colours and gold (f. 1). Small initials (2-3 lines) in gold with

• Detail of a miniature of Boniface VIII enthroned presenting the open book of Liber Sextus inscribed with his name 'bonifacius', at the beginning of Apparatus ad Sextum of Johannes Andreae., Apparatus ad Sextum

bifolium signatures; lemmas underlined in yellow;Part 3: catchwords and bifolium signatures; instructions for rubrics. 1 miniature in colours and gold with a partial border (f. 1). Illuminated initials in colours and gold with foliate extensions, at the beginning of books

• Miniature of Boniface VIII delivering the Liber Sextus, at the beginning of Liber Sextus Decretalium., Apparatus ad Sextum

bifolium signatures; lemmas underlined in yellow;Part 3: catchwords and bifolium signatures; instructions for rubrics. 1 miniature in colours and gold with a partial border (f. 1). Illuminated initials in colours and gold with foliate extensions, at the beginning of books

• Puzzle initial 'H'., Opera

and blue (ff. 1, 32). Faint sketch in pen of a saint with halo (f. 1*). Rubrics and running titles with book numbers on versos and titles on rectos in red, throughout. Paraphs in red (ff. 1, 24v). Occasional guide-letters

• Large historiated initial in colours with a portrait of Priscian., Institutiones grammaticae, imperfect at the end

of Priscian. Ruled in hardpoint.Horizontal catchwords.Marginal annotations. 1 large historiated initial in colours with a portrait of Priscian (f. 1).1 initial in colours in the form of a snake (f. 12). 1 historiated initial in colours of a man

• Historiated initial in colours of a man seated with a book., Institutiones grammaticae, imperfect at the end

a book. Ruled in hardpoint.Horizontal catchwords.Marginal annotations. 1 large historiated initial in colours with a portrait of Priscian (f. 1).1 initial in colours in the form of a snake (f. 12). 1 historiated initial in colours of a man

• Detail of a diagram of the Levite camps around the Ark of Covenant., Postilla litteralis in vetus et novum testamentum

initials in colours and gold, usually containing hybrids, with partial borders and 1 full border with drolleries (f. 1), at the beginning of all books and prologues (ff. 1, 2, 43v, 77, 92v, 110v, 129, 140, 151, 153, 169v, 182,

• Miniature of Prudence writing at a desk, with pupils sitting in front of her, and a foliate initial 'C'(es), at the beginning of the rubric 'De la vertu de prudence'., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Miniature of a man and a women at a table with a man drinking from a cup, illustrating the virtue of temperence, and a foliate initial 'L'(a vertu), at the beginning of the rubric 'De la vertu datrempance', and a miniature of a personification of Fortitude holding a disk with a lion, and a foliate initial 'L'(a vertu), at the beginning of the rubric 'De la vertu de force'., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Detail of a miniature of the Apostles composing the creed., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Miniature of the Apostles composing the creed., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Detail of a miniature of Prudence writing at a desk, with pupils sitting in front of her., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Detail of a miniature of a man and a women at a table with a man drinking from a cup, illustrating the virtue of temperence., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,