• Detail of an historiated initial 'E'(n) of a man playing the harp., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of a horned Moses seated, holding the Tablets of the Law., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a historiated initial 'S'(eint) of Paul seated, holding his sword, with a partial bar border, at the beginning of the Apocalypse., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John the Evangelist, holding a martyr's palm, standing before a group of representatives of the various churches., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John the Evangelist, with the Son of Man, holding a sword in his mouth, and seven tall candlesticks., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of Christ extending from a cloud above to raise John., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of God enthroned in a mandorla, with the four beasts of Ezekiel's vision, with twelve elders below casting down their crowns., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of the Adoration of Christ in Majesty with the Lamb taking the Book, illustrating Revelation 5: 6-7., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John witnessing the rider on a white horse, holding a bow and wearing a crown, illustrating Revelation 6:2., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Miniature of John witnessing the rider on a red horse, holding large sword, illustrating Revelation 6:4., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Miniature of John witnessing the rider on a black horse, holding a pair of scales, illustrating Revelation 6:5., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John witnessing the rider on a pale horse, named Death, holding a large sword, illustrating Revelation 6:8., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John witnessing the souls of the martyrs emerging from under the altar to be given white robes by the angel, illustrating Revelation 6:9-11., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John witnessing the opening of the sixth seal and unleashing a great earthquake, from which the kings and nobles of the earth hide in caves, in illustration of Revelation 6:11-15., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John and a crowned elder., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John witnessing God enthroned in a mandorla, surrounded by seven angels with trumpets and an angel with a censer, in illustration of Revelation 8:2., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of seven angels with golden trumpets, as the first prepares to sound his trumpet, in illustration of Revelation 8:7., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Miniature of John witnessing the second angel sounding his trumpet, causing a huge mountain burning with fire to be cast into the sea, and turning one third of the sea into blood, in illustration of Revelation 8:8., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John witnessing the third angel sounding his trumpet, causing a great star, called Wormwood, to fall from the sky into the streams of the earth, resulting in the deaths of those who taste its bitterness, in illustration of Revelation 8:10-11., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John and the angel witnessing the locusts unleashed by the fifth trumpet, in illustration of Revelation 9: 7-10., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours