in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
badges of a portcullis adopted by Henry VIII and the Tudor rose, with Katherine's badge of a pomegranate (ff. 2v-3).[f. 1 only: Henry Fitzalan, 12th earl of Arundel (b. 1512, d. 1580), magnate, or his father William Fitzalan, 11th earl
badges of a portcullis adopted by Henry VIII and the Tudor rose, with Katherine's badge of a pomegranate (ff. 2v-3).[f. 1 only: Henry Fitzalan, 12th earl of Arundel (b. 1512, d. 1580), magnate, or his father William Fitzalan, 11th earl
initials with three, or two-sided borders in colours and gold below miniatures and at the beginning of other divisions (ff. 1, 8, 10v, 11v, 13v, 14v-16, 20v, 21v-22v, 23v, 25v, 26v, 27v-28, 29, 29v), with a hunting scene in the
Vespasian B XX and Harley 105). Large historiated initial in colours with the head of Christ and entwined animals (f. 1). Large initial in colours with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue,