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century (f. 1v).The Old Royal Library (the English Royal Library): Henrician title 'Decretales' and Westminster inventory number 'no. 1059' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix
century (f. 1v).The Old Royal Library (the English Royal Library): Henrician title 'Decretales' and Westminster inventory number 'no. 1059' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix
century (f. 1v).The Old Royal Library (the English Royal Library): Henrician title 'Decretales' and Westminster inventory number 'no. 1059' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix
century (f. 1v).The Old Royal Library (the English Royal Library): Henrician title 'Decretales' and Westminster inventory number 'no. 1059' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix
century (f. 1v).The Old Royal Library (the English Royal Library): Henrician title 'Decretales' and Westminster inventory number 'no. 1059' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix
is a change of scribe at f. 64; the first uses quire signatures, the second uses catchwords. 1 large zoomorphic initial (f. 7v). 1 small iniital with zoomorphic features (f. 2). Added marginal drawings, 13th century (ff. 6v, 20, 85v,
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
brown ink (f. 48). Specimens of Calligraphy Written in London by Petruccio Ubaldini; signed and dated 20 July 1550 (ff. 1, 21, 42).Edward VI (b. 1537, d.1553), king of England and Ireland, king from 1547: apparently intended for him (ff.
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band