• Miniature of Edward II enthroned, while another figure offers him a crown., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder

• Miniature of 'Uter roy' (Uther Pendragon) in conversation with Merlin., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder

• Miniature of king Arthur, holding a spear and a shield emblazoned with the Virgin and Child., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder

• Miniature of Stephen enthroned with a hawk on his wrist., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder

• Miniature of Henry III enthroned, flanked by Westminster Abbey and church bells; below, a genealogical table of his descendants., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder

• Miniature of Richard I enthroned, holding a sword, with three Christian heads and three Saracen heads on either side of his throne., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder

• Detail of a miniature of Richard I enthroned, holding a sword, with three Christian heads and three Saracen heads on either side of his throne., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder

• Miniature of Edward the Confessor standing with a sceptre and a book., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder

• Detail of a miniature of Edward the Confessor standing with a sceptre and a book., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder

• Historiated initial 'A'(d) with the Mass and full foliate borders including birds and heraldic arms., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Miniatures of the Crucifixion and the Majesta Domini, at the beginning of the Canon of the mass., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Nativity., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Adoration of the Magi., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated intial of Peter in chains between two soldiers., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of a monk praying before an altar., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Resurrection., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Detail of a historiated initial of Pentecost., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Detail of historiated initial of the Trinity., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial 'D'(ominus) with Andrew., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Detail of historiated initial of the Presentation., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The