• Detail of historiated initial of Christ showing his wounds, at the beginning of the Penitential Psalms., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Miniature of the Crucifixion with a couple in prayer, at the beginning of the Penitential Psalms., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Detail of historiated initial of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Detail of historiated initial of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Detail of historiated initial of the Slaughter of the Innocents, at the beginning of None in the Hours of the Virgin., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Detail of historiated initial of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Decorative headpiece and intials at the beginning of the first Ode., Psalter with odes, prayers, service of holy communion, and a short excerpt from Daniel (ff. 213v-214)

Decorative headpiece and intials at the beginning of the first Ode. Damage from mold (ff. 1-4)Fragment of an early 12th century Latin missal, with musical notation, from northern Italy (f. 232). Decorative headpieces in red. Initials in red. Rubrics

• Micrography of a menorah., ~Keter Malkhut~ (The Crown of Kingship) by Solomon ibn Gabirol (ff. 1-8r); festival prayer book (~mahzor~), Italian rite (ff. 8v-231v)

at the end. 3 decorated initial-word panels with partial border, in colours and gold or silver (ff. 6, 37v, 72v). 1 initial word in gold (f. 17v). Micrography (f. 7v). ~Keter Malkhut~ (The Crown of Kingship) by Solomon ibn Gabirol

• Illuminated headpiece decorated with a foliate pattern on a gold ground, (the right hand portion replaced with a similar pattern in red) and illuminated initial 'E'(n) at the beginning of the Gospel of John, with a marginal inscription in Ottoman Turkish., Gospel Lectionary for the liturgical year starting from the lesson for Easter Sunday

Ottoman Turkish. Marginal notes in Ottoman Turkish (ff. 1, 49, 149). Headpiece with vine scroll decoration in colours on a gold ground, partially mutilated, with title and initial in gold (f. 1). Subsequent headpieces decorated in red ink. Large and

• Heraldic device with angels., Grant of nobililty from Philip II to Andres Gomez Marocho, of Xeres de la Frontera

armorial book-plate (inside upper cover [f. 1]).Bought by the British Museum from Chas Lowe, 9 March 1894 (note on f. 1), using the Farnborough Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin

• Drawing of the Mocking of Christ., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of the Betrayal., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of Saul holding a spear towards David, who holds a harp., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of the Flagellation., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of Christ being crowned with thorns., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of Christ carrying his cross on the road to Calvary, being harried by escorts with elongated noses., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of Tubal-Cain with the anvil and Jubal inventing music holding a harp., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of the Crucifixion, with the thieves, Mary pierced by a sword, and John., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of Nebuchadnezzar's dream of the tree., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of Evilmerodach with an axe, with birds carrying pieces of Nebuchadnezzar's body in their beaks., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal