• Puzzle initial., Liber Almansoris (ff. 3-74) and other medical texts

116v, 125, 134v). Small initials (2 lines) in red with purple pen-flourishing or in blue with red pen-flourishing. Small initials (1 line) in plain red or blue. Liber Almansoris (ff. 3-74) and other medical texts Dated 1327: 'Explicit liber rasys.

• Puzzle initial., Liber Almansoris (ff. 3-74) and other medical texts

116v, 125, 134v). Small initials (2 lines) in red with purple pen-flourishing or in blue with red pen-flourishing. Small initials (1 line) in plain red or blue. Liber Almansoris (ff. 3-74) and other medical texts Dated 1327: 'Explicit liber rasys.

• Puzzle initial., Liber Almansoris (ff. 3-74) and other medical texts

116v, 125, 134v). Small initials (2 lines) in red with purple pen-flourishing or in blue with red pen-flourishing. Small initials (1 line) in plain red or blue. Liber Almansoris (ff. 3-74) and other medical texts Dated 1327: 'Explicit liber rasys.

• Puzzle initial., Liber Almansoris (ff. 3-74) and other medical texts

116v, 125, 134v). Small initials (2 lines) in red with purple pen-flourishing or in blue with red pen-flourishing. Small initials (1 line) in plain red or blue. Liber Almansoris (ff. 3-74) and other medical texts Dated 1327: 'Explicit liber rasys.

• Decorated initials., Liber Almansoris (ff. 3-74) and other medical texts

116v, 125, 134v). Small initials (2 lines) in red with purple pen-flourishing or in blue with red pen-flourishing. Small initials (1 line) in plain red or blue. Liber Almansoris (ff. 3-74) and other medical texts Dated 1327: 'Explicit liber rasys.

• Historiated initial 'A'(d) with the Mass and full foliate borders including birds and heraldic arms., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Miniatures of the Crucifixion and the Majesta Domini, at the beginning of the Canon of the mass., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Nativity., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Adoration of the Magi., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated intial of Peter in chains between two soldiers., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of a monk praying before an altar., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Resurrection., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Detail of a historiated initial of Pentecost., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Detail of historiated initial of the Trinity., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial 'D'(ominus) with Andrew., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Detail of historiated initial of the Presentation., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Presentation., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Miniature of the Crucifixion, with the sun and moon overhead, and the Virgin Mary and John the Evangelist below., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Miniature of God enthroned, surrounded by symbols of the four evangelists., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• A historiated and foliate initial 'X' of the Crucifixion., Cuttings from a choir book

formerly foliated by the number of the guard on which they are mounted, as f. 1. They can be found referred to in publications by this number. To see these cuttings in the Manuscripts Reading Room order Add. 29902. Cambridge,