• Drawing of a dragon, with a tree growing out of its chest., Collectanea de Lapide Philosophiae

Numerous large and small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v,

• Drawing of a crowned salamander or dragon., Collectanea de Lapide Philosophiae

and small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22,

• Drawing of a king., Collectanea de Lapide Philosophiae

ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23, 26,

• Drawing of a bleeding dragon., Collectanea de Lapide Philosophiae

small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23,

• Drawings of a salamander, a frog, and rasberries., Collectanea de Lapide Philosophiae

and small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22,

• Detail of a historiated initial 'S'(ub) of the Virgin and Child, at the beginning of a motet to the Virgin by Benedictus de Opitiis., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Detail of an illuminated initial with a red rose., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Detail of an illuminated initial 'B'(eati)., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Miniature of the Annunciation, decorated initial 'D'(omine) and foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Orléans

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti, A.D. 1724.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Miniature of the Last Judgement, decorated initial 'D'(ilexi) and foliate borders, at the beginning of the Hours of the Dead., Book of Hours, Use of Orléans

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti, A.D. 1724.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Miniature of the Virgin and Child, decorated initial 'O'(bsecro) and foliate borders, at the beginning of the prayer Obsecro te., Book of Hours, Use of Orléans

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti, A.D. 1724.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Decorated initial at the beginning of the canon of the mass., Cistercian Missal, imperfect

or in red with blue penwork decoration, at the canon of the mass (ff. 115v-116). 1 large initial in blue with penwork decoration (f. 1). Large initials in red, green, or blue, some with penwork decoration, 3 with decoration in

• Miniature of a king, with an orb in his hand, giving instructions to a group of men, at the beginning of book 3., De la chose de la chevalerie

as 'Flauve Vegasce de la choze de cheualerie'.Catchwords and bifolium signatures. 1 two-column miniature in colours and gold, with a full border, at the beginning of the text (f. 1) . 3 one-column miniatures in colours and gold (ff. 10,

• Historiated initial 'A'(d) with the Mass and full foliate borders including birds and heraldic arms., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Miniatures of the Crucifixion and the Majesta Domini, at the beginning of the Canon of the mass., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Nativity., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Adoration of the Magi., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated intial of Peter in chains between two soldiers., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of a monk praying before an altar., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Resurrection., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The