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initials 'Y' and 'T'. f. 1 is a parchment leaf pasted to a paper one.Quire signatures in Latin letters. Partial gold foliate borders with 56 initials in gold on blue and red grounds (ff. 4 (x 2), 7, 41v, 74,
which this manuscript is probably listed as 'Cronica mo[na]chi Cestr[ensis] cu[m] aliis', priced at 20 shillings.The pressmark 'P. lxi' (f. 1) may be from Norwich priory but is unidentified.The initials 'R.W.' in a later hand on f. I have not
appearing to Charles the Great, at the beginning of chapter 1 of 'Charlemagne' book 4. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated
the Pious holding a parliament at Aix-la-Chapelle, at the beginning of chapter 8 of 'Louis the Pious' book 1 With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991,
which this manuscript is probably listed as 'Cronica mo[na]chi Cestr[ensis] cu[m] aliis', priced at 20 shillings.The pressmark 'P. lxi' (f. 1) may be from Norwich priory but is unidentified.The initials 'R.W.' in a later hand on f. I have not
in use, at the beginning of chapter 25 of 'Philip Augustus' book 1. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made
meeting Louis the Pious, at the beginning of chapter 7 of 'Louis the Pious' book 1. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine
was formerly Additional 39810. 1 large historiated initial, accompanied by a full historiated foliate border, in colours and gold (f. 7). 5 smaller historiated initials or miniatures including a small initial in the right corner, accompanied by full (historiated) foliate
which this manuscript is probably listed as 'Cronica mo[na]chi Cestr[ensis] cu[m] aliis', priced at 20 shillings.The pressmark 'P. lxi' (f. 1) may be from Norwich priory but is unidentified.The initials 'R.W.' in a later hand on f. I have not
which this manuscript is probably listed as 'Cronica mo[na]chi Cestr[ensis] cu[m] aliis', priced at 20 shillings.The pressmark 'P. lxi' (f. 1) may be from Norwich priory but is unidentified.The initials 'R.W.' in a later hand on f. I have not
which this manuscript is probably listed as 'Cronica mo[na]chi Cestr[ensis] cu[m] aliis', priced at 20 shillings.The pressmark 'P. lxi' (f. 1) may be from Norwich priory but is unidentified.The initials 'R.W.' in a later hand on f. I have not
which this manuscript is probably listed as 'Cronica mo[na]chi Cestr[ensis] cu[m] aliis', priced at 20 shillings.The pressmark 'P. lxi' (f. 1) may be from Norwich priory but is unidentified.The initials 'R.W.' in a later hand on f. I have not
which this manuscript is probably listed as 'Cronica mo[na]chi Cestr[ensis] cu[m] aliis', priced at 20 shillings.The pressmark 'P. lxi' (f. 1) may be from Norwich priory but is unidentified.The initials 'R.W.' in a later hand on f. I have not
news; Theodulph meeting Louis the Pious, at the beginning of chapter 7 of 'Louis the Pious' book 1. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one
Canon table with interlace. Musical notation: neumes, central France (Nevers), late 10th century (ff. 261-262).A 'Type II' Capitulary, according to Fischer 1985 p. 126. Full-page canon tables with decorated architectural frames in ink with coloured washes, with interlace and/or
Canon table with interlace. Musical notation: neumes, central France (Nevers), late 10th century (ff. 261-262).A 'Type II' Capitulary, according to Fischer 1985 p. 126. Full-page canon tables with decorated architectural frames in ink with coloured washes, with interlace and/or
Canon table with animal interlace. Musical notation: neumes, central France (Nevers), late 10th century (ff. 261-262).A 'Type II' Capitulary, according to Fischer 1985 p. 126. Full-page canon tables with decorated architectural frames in ink with coloured washes, with interlace
Canon table with interlace. Musical notation: neumes, central France (Nevers), late 10th century (ff. 261-262).A 'Type II' Capitulary, according to Fischer 1985 p. 126. Full-page canon tables with decorated architectural frames in ink with coloured washes, with interlace and/or
Canon table with interlace. Musical notation: neumes, central France (Nevers), late 10th century (ff. 261-262).A 'Type II' Capitulary, according to Fischer 1985 p. 126. Full-page canon tables with decorated architectural frames in ink with coloured washes, with interlace and/or
Decorated canon table. Musical notation: neumes, central France (Nevers), late 10th century (ff. 261-262).A 'Type II' Capitulary, according to Fischer 1985 p. 126. Full-page canon tables with decorated architectural frames in ink with coloured washes, with interlace and/or foliate