• Coloured drawings of the Resurrection of Christ, Samson carrying the gates of Gaza, Jonah and the whale, and the parable of the stone rejected by the builders., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Historiated initial 'C'(ome) of king Edward III, crowned with a scepter on a throne, at the beginning of the first statute of Edward III., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book) for Edward III (ff. 1-212v) and Richard II (ff. 213-329v)

on a throne, at the beginning of the first statute of Edward III. 1 historiated initial, with a full foliate border, in colours and gold (f. 22). 1 large initial in gold on a ground in red and blue, with

• Decorated initial 'R'(ichard), at the beginning of the first statute under the government of Richard II., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book) for Edward III (ff. 1-212v) and Richard II (ff. 213-329v)

at the beginning of the first statute under the government of Richard II. 1 historiated initial, with a full foliate border, in colours and gold (f. 22). 1 large initial in gold on a ground in red and blue, with

• Puzzle initial 'Q'(uoniam), at the beginning of Eberhardus Bethuniensis's Graecismus., Glossed Graecismus

beginning of Eberhardus Bethuniensis's Graecismus. 1 large puzzle initial in red and brown with penwork decoration in brown and red (f. 1v). Small initials in plain red, some with brown penwork decoration. Capital letters at the beginning of a line

• Puzzle initial 'A'(ppellationibus), in Bartolus de Saxoferrato's Commentary on the first and second part of the New Digest., Commentary on the first and second part of the Digestum novum

de remissione mercedis (ff. 337v-338). 4 large puzzle initials in red and blue with pen-flourishing in blue and red (ff. 1, 55, 140, 299). Smaller and small initials in red with blue penwork decoration or pen-flourishing or in blue with

• Historiated illuminated initial 'T'(hedosius) of the Virgin holding the Child blessing a kneeling monk with a three-sided border, at the beginning of Sigibert's Chronographia., De viris illustribus, extract; Chronographia, with prologue; Jerome's preface to the translation of Eusebius

Virgin holding the Child blessing a kneeling monk with a three-sided border, at the beginning of Sigibert's Chronographia. 1 three-sided border and 1 historiated initial in colours and gold of the Virgin holding the Chirst child blessing a kneeling monk

• Puzzle initial 'P'(ost), at the beginning of Johannes Andrea's Glosses on the Decretals., Novella in Sextum (book 4)

Puzzle initial 'P'(ost), at the beginning of Johannes Andrea's Glosses on the Decretals. 1 large puzzle initial in red and blue (f. 1). Small initials alternately in red with blue pen-flourishing or in blue with red pen-flourishing. Paraph marks in

• Decorated initial 'A'(biciamus), at the beginning of Guilelmus de Malliaco OP's Sermones de tempore., Sermones de tempore (ff. 1-204), table of contents (ff. 204-205v)

Malliaco OP's Sermones de tempore. Contemporary ink foliation in arabic numerals. 1 large decorated initial with extension into the margin, in gold on a red and blue ground (f. 1). Small initials in red with blue pen-flourishing or in blue

• Ex-libris 'Liber virginis gloriose. In Ebirbach hic e(st) Ma(r)ie. Ad Usus Abbatis Ebirbacen(sis)', written by Martin Rifflinck von Boppard, abbot of the monastery of Eberbach, in the lower margin., Sermones de tempore (ff. 1-204), table of contents (ff. 204-205v)

Eberbach, in the lower margin. Contemporary ink foliation in arabic numerals. 1 large decorated initial with extension into the margin, in gold on a red and blue ground (f. 1). Small initials in red with blue pen-flourishing or in blue

• Drawing of the building of the Ark, and the Ark., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of a drawing of the Crucifixion., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Drawing of an elephant carrying people on its back., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of a beheading., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of a drawing of Christ in Majesty., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of Jonah emerging from the whale., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of a drawing of God, Lucifer, and Hell's mouth., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of a drawing of the Temptation., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Half-page miniature depicting the story of the cornucopia., Hieroglyphica and Emblematic Inscriptions

story of the cornucopia. ff. 1, 25 are parchment flyleaves.1 blank parchment leaf after f. 1.Contemporary index entitled, 'Index rerum quae ab Egy[p]tiis quondam hierogliphis scribebantur' (f. 2).Incipit: 'Natura: Agnouerunt Phisici nullum ex elementis constare' (f. 3).Written in an Italian

• Detail of a half-page miniature., Hieroglyphica and Emblematic Inscriptions

half-page miniature. ff. 1, 25 are parchment flyleaves.1 blank parchment leaf after f. 1.Contemporary index entitled, 'Index rerum quae ab Egy[p]tiis quondam hierogliphis scribebantur' (f. 2).Incipit: 'Natura: Agnouerunt Phisici nullum ex elementis constare' (f. 3).Written in an Italian or Italinate

• Marginal paintings of a cow skull with two upside-down hammers tied to its ears (for 'Patientia') and a duck (for 'Custodia')., Hieroglyphica and Emblematic Inscriptions

to its ears (for 'Patientia') and a duck (for 'Custodia'). ff. 1, 25 are parchment flyleaves.1 blank parchment leaf after f. 1.Contemporary index entitled, 'Index rerum quae ab Egy[p]tiis quondam hierogliphis scribebantur' (f. 2).Incipit: 'Natura: Agnouerunt Phisici nullum ex elementis