• Detail of a historiated initial 'A'(d comentum) of Gregory delivering a letter to two cardinals., Lectura in quinque libros Decretalium (Books 1-2)

yellow. 2 historiated Initials in colours and gold, with full or partial borders, at the beginning of book 1 and 2 (ff. 1, 186v). Puzzle initials in red and blue with red and purple pen-flourishing, at the beginning of chapters.

• Detail of a historiated initial 'D'(e) of plaintiffs before a judge, at the beginning of book 2., Lectura in quinque libros Decretalium (Books 1-2)

yellow. 2 historiated Initials in colours and gold, with full or partial borders, at the beginning of book 1 and 2 (ff. 1, 186v). Puzzle initials in red and blue with red and purple pen-flourishing, at the beginning of chapters.

• Historiated initial 'A'(d comentum) of Gregory delivering a letter to two cardinals, with a full border containing Albans holding a shield with the arms of St Albans abbey, a kneeling monk and six other figures., Lectura in quinque libros Decretalium (Books 1-2)

yellow. 2 historiated Initials in colours and gold, with full or partial borders, at the beginning of book 1 and 2 (ff. 1, 186v). Puzzle initials in red and blue with red and purple pen-flourishing, at the beginning of chapters.

• Historiated initial 'D'(e) of plaintiffs before a judge, with a partial bar border, at the beginning of book 2., Lectura in quinque libros Decretalium (Books 1-2)

yellow. 2 historiated Initials in colours and gold, with full or partial borders, at the beginning of book 1 and 2 (ff. 1, 186v). Puzzle initials in red and blue with red and purple pen-flourishing, at the beginning of chapters.

• Detail of decorated initial 'U'., Mainly scientific and grammatic miscellany, including the Summa Chiromantiae (ff. 100-108v; 109-34), the Mirror of Light (ff. 155-168); Cistercian statuta and ordinationes (ff. 200-220); De sphaera (ff. 59-75); algorismus with commentary (ff. 26-43)

with a large initial in brown with interlace and foliage (f. 1). f. 221 is a paper leaf. Large diagrams of hands in brown ink (ff. 131v-134v, 169, 198). 1 large initial in red with blue and red penwork decoration

• Text page with title in rustic capitals., Retractatio de animae quantitate (index On the Size of the Soul) (ff. 1-32v); Paschalis operis (index Carmen paschale), libri 5 (ff. 33-70v), Commentary on the Apocalypse (ff. 71-84v)

Ganz, 'the hands show marked Tours influence especially in the half uncial.' Title in rustic capitials and 1 large initial in red (f. 1). Plain initials in black. Rubrics and abbreviations of protagonists' names in red. Retractatio de animae quantitate

• Detail of historiated initial of Christ showing his wounds, at the beginning of the Penitential Psalms., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Miniature of the Crucifixion with a couple in prayer, at the beginning of the Penitential Psalms., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Detail of historiated initial of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Detail of historiated initial of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Detail of historiated initial of the Slaughter of the Innocents, at the beginning of None in the Hours of the Virgin., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Detail of historiated initial of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin., Roll of Hours (begins imperfectly)

in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning of the Hours of the Virgin. 8 large historiated initials with foliate extensions into the margins, in colours and gold (ff. 1, 2, 3

• Drawing of the Mocking of Christ., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of the Betrayal., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of Saul holding a spear towards David, who holds a harp., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of the Flagellation., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of Christ being crowned with thorns., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of Christ carrying his cross on the road to Calvary, being harried by escorts with elongated noses., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of Tubal-Cain with the anvil and Jubal inventing music holding a harp., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal

• Drawing of the Crucifixion, with the thieves, Mary pierced by a sword, and John., Speculum humanae salvationis, imperfect

'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal