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British Library Catalogue of Illuminated Manuscripts
glosses The Benedictine priory of Holy Trinity, or Christ Church, Canterbury: inscribed, 'De claustro X[risti] / cantuarie', 13th century (f. 1); included in the catalogue of Henry of Eastry (beginning of the 14th century), no. 246 (see M. R. James,
glosses The Benedictine priory of Holy Trinity, or Christ Church, Canterbury: inscribed, 'De claustro X[risti] / cantuarie', 13th century (f. 1); included in the catalogue of Henry of Eastry (beginning of the 14th century), no. 246 (see M. R. James,
Goliath, and seated kings, with marginal birds, at the beginning of Psalm 1. Musical notation.The calendar is of Sarum. Initials and partial bar borders in gold, red, blue, and white, some with white flowers, figures, masks, animals, or hybrids, in
David, David and Goliath, at the beginning of Psalm 1. Musical notation.The calendar is of Sarum. Initials and partial bar borders in gold, red, blue, and white, some with white flowers, figures, masks, animals, or hybrids, in the calendar (ff.
referred to in publications by this number. To see this cutting in the Manuscripts Reading Room order Add. 29902.Musical notation. 1 historiated initial 'F' with foliate extension and medallion of pseudo-Oriental writing in colours and gold, with a depiction of
Historiated initials 'N'(ota) of John of Freiburg, 'Q'(uoniam) with John addressing other friars, and 'S'(aluti) with John writing, combined with partial bar borders with foliate tendrils of ivy including a running hare. f. 1* is a former pastedown. f.
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
poking a knife into Christ on the cross. Part 1 includes tables (ff. 8v-9v) and circular diagrams (ff. 10v-15).Catchwords, quire marks. Medieval foliation (ff. 34-81, foliated 36-84), various other foliations.For a more detailed list of contents, see ~Catalogue~ 1808. Drawing
at the beginning of Florus's Epitome bellorum, and foliate border with heraldic arms. 1 large foliate initial in colours on a burnished punched gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately
112-13). 7 full or partial bar borders and historiated initials in colours, gold, and silver at the beginning of Psalms 1, 26, 38, 51, 68, 80, and 97 (Psalm 109 lacking), most with animals in the bas-de-page (ff. 9, 31v,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille