• Full-page miniature of the Annunciation at the beginning of Matins in the Hours of the Virgin., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Visitation at the beginning of Lauds in the Hours of the Virgin., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Adoration of the Child by Mary and Joseph at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Annunciation to the Shepherds at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Presentation in the Temple at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Adoration of the Magi at the beginning of None in the Hours of the Virgin., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Massacre of the Innocents at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Flight into Egypt at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Coronation of the Virgin at the beginning of the Advent Hours., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Agony in the Garden at the beginning of Matins in the Hours of the Virgin., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Betrayal at the beginning of Lauds in the Hours of the Passion., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Flagellation at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Crucifixion at the beginning of None in the Hours of the Passion., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Full-page miniature of the Resurrection at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page

• Illuminated initial 'D'(ominica)., Processional, use of Sarum (index Processionale)

added inscriptions and texts; some with musical notation.Thomas Becket's name inked out (f. 99v). 1 large initial 'D'(ominica) in gold on a pink and blue ground (f. 5). Initials in blue, some large, some small. Rubrics and 4-line musical staves

• Display script in red ink (oxidised) at the beginning of book 1 of Hilary's De Trinitate., De Trinitate (ff. 2-179v); De Synodis (index Contra omnes hereses)(ff. 180-205v); Contra arianos sive Contra Auxentium (ff. 206v-209)

(oxidised) at the beginning of book 1 of Hilary's De Trinitate. Quire marks (letters on the verso of the last leaf of the quire).Piece of parchment with missing part of text bound after f. 135 (in book 10).Leaf missing after

• Decorated initials with pen-flourishing at the beginning of the text, the first with a dragon., The Brut Chronicle, in French

dragon. Large initial in blue with red pen-flourishing including ivy leaves and a dragon (f. 1). Numerous smaller initials in blue or red with pen-flourishing in the other colour. Human faces in brown ink (see especially ff. 3, 11v, 29,

• Text pahe with the script of one of the most important of the many scribes who worked at St. Albans in the 12th century, 'The St. Albans Calligrapher'., Breviary

Calligrapher'. Includes a calendar with Easter tables (ff. 1v-8), noting the feast of the relics of St. Albans (27 January). 1 initial in gold with penwork decoration, at the beginning of the breviary (f. 9v). Large initials in green, blue

• Partly torn foliate border at the beginning of Seneca's Tragoediae., Tragoediae (index Tragedies), with argumenta: Hercules furens (ff. 1-17v), Thyestes (ff. 17v-31v), Oedipus (ff. 31v-45), Phaedra (ff. 45-61v), Phoenissae (ff. 61v-69v), Troades (ff. 69v-84v), Medea (ff. 84v-97v), Agamemnon (ff. 97v-110), Octavia (ff. 110-132v), Hercules Oetaeus (ff. 132v-126v; ending imperfectly)

2nd quarter of the 14th century, in Northeastern Italy, possibly Verona. Remains of a partial foliate border in colours (f. 1; leaf partly torn). Large historiated initial in blue, red and brown ink enclosing a standing lady in profile (?Phaedra)(f.

• Headpiece with foliate decoration and coloured initial., Composite miscellany, imperfect, including letters of Theophylact Simocatta (ff. 1-8v), Libanius (ff. 13-83v) and Synesius (ff. 84-129v), works by Gregory of Cyprus (9-12v), and a commentary on Lycophron's 'Alexandra' (ff. 130-135v).

(Lot-et-Garonne, France), maintained by the Jesuits from 1591 to 1762: inscribed, 17th century, 'Collegij Agen. Societ. Jesu Catal. Ins.' (f. 1; see Wright 1972).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer,