• Historiated initial 'B'(eatus) with king David playing the harp, at the beginning of Psalm 1., Psalter, followed by Canticles, Litany, and Office of the Dead, adapted to the use of Ely

playing the harp, at the beginning of Psalm 1. The litany is written in two columns. 9 large historiated initials, some with extensions into the margins, in colours and gold (ff. 1. 22v, 36v, 48, 61v, 78v, 94v, 96v, 112).

• Coloured drawings of the Fall of Lucifer, the Creation of Adam and Eve, the Marriage of Adam and Eve, and the Temptation, at the beginning of the Speculum humanae salvationis., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Coloured drawings of Christ carrying the Cross, Isaac carrying the wood for his immolation, Parable of the son who inherited the vineyard and who was killed by greedy servants, and the emissaries of Moses carrying a bunch of grapes., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Coloured drawings of the Resurrection of Christ, Samson carrying the gates of Gaza, Jonah and the whale, and the parable of the stone rejected by the builders., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Historiated illuminated initial 'T'(hedosius) of the Virgin holding the Child blessing a kneeling monk with a three-sided border, at the beginning of Sigibert's Chronographia., De viris illustribus, extract; Chronographia, with prologue; Jerome's preface to the translation of Eusebius

Virgin holding the Child blessing a kneeling monk with a three-sided border, at the beginning of Sigibert's Chronographia. 1 three-sided border and 1 historiated initial in colours and gold of the Virgin holding the Chirst child blessing a kneeling monk

• Puzzle initial 'P'(ost), at the beginning of Johannes Andrea's Glosses on the Decretals., Novella in Sextum (book 4)

Puzzle initial 'P'(ost), at the beginning of Johannes Andrea's Glosses on the Decretals. 1 large puzzle initial in red and blue (f. 1). Small initials alternately in red with blue pen-flourishing or in blue with red pen-flourishing. Paraph marks in

• Decorated initial 'A'(biciamus), at the beginning of Guilelmus de Malliaco OP's Sermones de tempore., Sermones de tempore (ff. 1-204), table of contents (ff. 204-205v)

Malliaco OP's Sermones de tempore. Contemporary ink foliation in arabic numerals. 1 large decorated initial with extension into the margin, in gold on a red and blue ground (f. 1). Small initials in red with blue pen-flourishing or in blue

• Ex-libris 'Liber virginis gloriose. In Ebirbach hic e(st) Ma(r)ie. Ad Usus Abbatis Ebirbacen(sis)', written by Martin Rifflinck von Boppard, abbot of the monastery of Eberbach, in the lower margin., Sermones de tempore (ff. 1-204), table of contents (ff. 204-205v)

Eberbach, in the lower margin. Contemporary ink foliation in arabic numerals. 1 large decorated initial with extension into the margin, in gold on a red and blue ground (f. 1). Small initials in red with blue pen-flourishing or in blue

• Drawing of the building of the Ark, and the Ark., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of a drawing of the Crucifixion., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Drawing of an elephant carrying people on its back., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of a beheading., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of a drawing of Christ in Majesty., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of Jonah emerging from the whale., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of a drawing of God, Lucifer, and Hell's mouth., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Detail of a drawing of the Temptation., Speculum humanae salvationis

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

• Half-page miniature depicting the story of the cornucopia., Hieroglyphica and Emblematic Inscriptions

story of the cornucopia. ff. 1, 25 are parchment flyleaves.1 blank parchment leaf after f. 1.Contemporary index entitled, 'Index rerum quae ab Egy[p]tiis quondam hierogliphis scribebantur' (f. 2).Incipit: 'Natura: Agnouerunt Phisici nullum ex elementis constare' (f. 3).Written in an Italian

• Detail of a half-page miniature., Hieroglyphica and Emblematic Inscriptions

half-page miniature. ff. 1, 25 are parchment flyleaves.1 blank parchment leaf after f. 1.Contemporary index entitled, 'Index rerum quae ab Egy[p]tiis quondam hierogliphis scribebantur' (f. 2).Incipit: 'Natura: Agnouerunt Phisici nullum ex elementis constare' (f. 3).Written in an Italian or Italinate

• Marginal paintings of a cow skull with two upside-down hammers tied to its ears (for 'Patientia') and a duck (for 'Custodia')., Hieroglyphica and Emblematic Inscriptions

to its ears (for 'Patientia') and a duck (for 'Custodia'). ff. 1, 25 are parchment flyleaves.1 blank parchment leaf after f. 1.Contemporary index entitled, 'Index rerum quae ab Egy[p]tiis quondam hierogliphis scribebantur' (f. 2).Incipit: 'Natura: Agnouerunt Phisici nullum ex elementis

• Full-page emblematic miniature of a landscape with a dead tree in the centre, with a placard tied to one of its branches., Hieroglyphica and Emblematic Inscriptions

the centre, with a placard tied to one of its branches. ff. 1, 25 are parchment flyleaves.1 blank parchment leaf after f. 1.Contemporary index entitled, 'Index rerum quae ab Egy[p]tiis quondam hierogliphis scribebantur' (f. 2).Incipit: 'Natura: Agnouerunt Phisici nullum ex