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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1188 results from this resource . Displaying 181 to 200

torn and restored.Running titles in iambic verse. Headpiece in red and green with foliate motifs on an added leaf (f. 1). 2 headpieces in red ink (ff. 104, 211). Large initials in red. Rubrics in red. Psalter with hymns: Psalms

Puzzle initial. 1 three-sided border and 1 historiated initial in colours and gold of the Virgin holding the Chirst child blessing a kneeling monk (f. 58). 3 full or partial borders with initials in blue and pink with coloured foliated

above-cited inscription (f. 1).James West (1703-1772), politician and antiquary: above-cited inscription that it was purchased by him in 1731 (f. 1); his sale, May 1773, where all of his manuscripts were purchased by Petty (see W. P. Courtney, ‘West, James

dated 1738 by James West that it was purchased from him (f. 1). James West (1703-1772), politician and antiquary: his signature with the date February 1738 (f. 1); his sale, May 1773, where all of his manuscripts were purchased by

The Carthusian abbey of Mainz, 15th century: inscribed 'Iste liber e(st) fr(atru)m Carthusie(n)siu(m) p(ro)pe Magu(n)cia(m)' (f. 1, cf. 46v). Inscribed 'Z 261' (f. 1); similar inscriptions consisting of a 'Z' followed by a number are found in a significant number

The Carthusian abbey of Mainz, 15th century: inscribed 'Iste liber e(st) fr(atru)m Carthusie(n)siu(m) p(ro)pe Magu(n)cia(m)' (f. 1, cf. 46v). Inscribed 'Z 261' (f. 1); similar inscriptions consisting of a 'Z' followed by a number are found in a significant number

playing the harp, at the beginning of Psalm 1. The litany is written in two columns. 9 large historiated initials, some with extensions into the margins, in colours and gold (ff. 1. 22v, 36v, 48, 61v, 78v, 94v, 96v, 112).

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

Virgin holding the Child blessing a kneeling monk with a three-sided border, at the beginning of Sigibert's Chronographia. 1 three-sided border and 1 historiated initial in colours and gold of the Virgin holding the Chirst child blessing a kneeling monk

Puzzle initial 'P'(ost), at the beginning of Johannes Andrea's Glosses on the Decretals. 1 large puzzle initial in red and blue (f. 1). Small initials alternately in red with blue pen-flourishing or in blue with red pen-flourishing. Paraph marks in

Malliaco OP's Sermones de tempore. Contemporary ink foliation in arabic numerals. 1 large decorated initial with extension into the margin, in gold on a red and blue ground (f. 1). Small initials in red with blue pen-flourishing or in blue

Eberbach, in the lower margin. Contemporary ink foliation in arabic numerals. 1 large decorated initial with extension into the margin, in gold on a red and blue ground (f. 1). Small initials in red with blue pen-flourishing or in blue

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

drawings with some colour, and occasionally gold, at the top of each column, each double-page forming typological sets beginning with 1 scene of the New Testament followed by 3 of the Old Testament. Large puzzle initials in red and blue,

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