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langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
Puzzle initial 'E'(t) with pen-flourished decoration and marginal diagram at the beginning of book 3 of Geber's 'De astronomia'. Two medieval tables of contents, the first in the hand of Simon Bredon's (ff. 1*r-v).The manuscript does not include Abu'l-Husain
and gold with animals, birds, and/or floral and foliate motifs (ff. 1, 67, 104, 144, 202v, 234, 246, 274, 281, 298v, 313, 320v, 325v, 328v, 332, 340, 344, 353). 1 very large initial in colours and gold (f. 289v). Major
and gold with animals, birds, and/or floral and foliate motifs (ff. 1, 67, 104, 144, 202v, 234, 246, 274, 281, 298v, 313, 320v, 325v, 328v, 332, 340, 344, 353). 1 very large initial in colours and gold (f. 289v). Major
during a speech by the Chevalier sans peur to Meliadus. The attribution to Hélie de Borron in this manuscript (f. 1) is doubtful. The text was composed between 1235 and c.1240.The miniatures, by several Neapolitan artists with French influence, were
during a speech by the Chevalier sans peur to Meliadus. The attribution to Hélie de Borron in this manuscript (f. 1) is doubtful. The text was composed between 1235 and c.1240.The miniatures, by several Neapolitan artists with French influence, were