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langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
and gold with animals, birds, and/or floral and foliate motifs (ff. 1, 67, 104, 144, 202v, 234, 246, 274, 281, 298v, 313, 320v, 325v, 328v, 332, 340, 344, 353). 1 very large initial in colours and gold (f. 289v). Major
and gold with animals, birds, and/or floral and foliate motifs (ff. 1, 67, 104, 144, 202v, 234, 246, 274, 281, 298v, 313, 320v, 325v, 328v, 332, 340, 344, 353). 1 very large initial in colours and gold (f. 289v). Major
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIII.6.9’, inside upper cover).Purchased by the British Museum from the Royal Society of
Jesuits from 1591 to 1762: inscribed, 17th century, 'Collegii Agenen. Soc. Jesu Cat. Insc.' (f. 1, upper margin); 'Collegii Agen Societ. Jesu Catal. Ins.' (f. 1, lower margin).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl
often with a yellow wash, one extending into the margin (f. 1), one with an animal head (f. 213). Large decorated initials, in red and yellow, or red, black, and yellow, some zoomorphic or anthropomorphic (birds or hands) (ff. 23v,
decoration in purple and red. 1 smaller space for illuminated initial left empty (f. 64). Small initials (2 lines) in red with purple penwork decoration or in blue with red penwork decoration. Small initials (1 line) and paraph marks in
decoration in purple and red. 1 smaller space for illuminated initial left empty (f. 64). Small initials (2 lines) in red with purple penwork decoration or in blue with red penwork decoration. Small initials (1 line) and paraph marks in
capitals, and decorated initial 'T'. Missing leaves at the beginning and after ff. 1, 23, 36, 135, 197, 219.Pericopes arranged according to the ecclesiastical calendar. Headpieces with geometric and foliate decoration in gold or silver and colours and inscribed with
decoration in purple and red. 1 smaller space for illuminated initial left empty (f. 64). Small initials (2 lines) in red with purple penwork decoration or in blue with red penwork decoration. Small initials (1 line) and paraph marks in
decoration in purple and red. 1 smaller space for illuminated initial left empty (f. 64). Small initials (2 lines) in red with purple penwork decoration or in blue with red penwork decoration. Small initials (1 line) and paraph marks in
decoration in purple and red. 1 smaller space for illuminated initial left empty (f. 64). Small initials (2 lines) in red with purple penwork decoration or in blue with red penwork decoration. Small initials (1 line) and paraph marks in
decoration in purple and red. 1 smaller space for illuminated initial left empty (f. 64). Small initials (2 lines) in red with purple penwork decoration or in blue with red penwork decoration. Small initials (1 line) and paraph marks in
decoration in purple and red. 1 smaller space for illuminated initial left empty (f. 64). Small initials (2 lines) in red with purple penwork decoration or in blue with red penwork decoration. Small initials (1 line) and paraph marks in
of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f. 1, 99v). Large and small initials in red, some with penwork decoration, one with a face (f. 158). Trilingual Psalter
of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f. 1, 99v). Large and small initials in red, some with penwork decoration, one with a face (f. 158). Trilingual Psalter