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(f. 1). Small red initials, some with foliate decoration. Brown and red diagrams, with foliate decoration (ff. 41v, 42). Small coloured marginal diagram (f. 48v). Orbis descriptio, with preceding scholia Marcos Mamuna and George Count of Corinth (inscriptions, ff. 1,
profuse 17th century annotations added throughout.Emmanouel Kallonas (second half of the 17th century inscription, vol. 1, f. 1).Partial Greek inscription dated 2 March 1681 (vol. 1, f. 1).Richard Mead (b. 1673, d. 1754), physician and collector of books and art:
profuse 17th century annotations added throughout.Emmanouel Kallonas (second half of the 17th century inscription, vol. 1, f. 1).Partial Greek inscription dated 2 March 1681 (vol. 1, f. 1).Richard Mead (b. 1673, d. 1754), physician and collector of books and art:
and gold with animals, birds, and/or floral and foliate motifs (ff. 1, 67, 104, 144, 202v, 234, 246, 274, 281, 298v, 313, 320v, 325v, 328v, 332, 340, 344, 353). 1 very large initial in colours and gold (f. 289v). Major
and gold with animals, birds, and/or floral and foliate motifs (ff. 1, 67, 104, 144, 202v, 234, 246, 274, 281, 298v, 313, 320v, 325v, 328v, 332, 340, 344, 353). 1 very large initial in colours and gold (f. 289v). Major
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIII.6.9’, inside upper cover).Purchased by the British Museum from the Royal Society of
Jesuits from 1591 to 1762: inscribed, 17th century, 'Collegii Agenen. Soc. Jesu Cat. Insc.' (f. 1, upper margin); 'Collegii Agen Societ. Jesu Catal. Ins.' (f. 1, lower margin).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl
capitals, and decorated initial 'T'. Missing leaves at the beginning and after ff. 1, 23, 36, 135, 197, 219.Pericopes arranged according to the ecclesiastical calendar. Headpieces with geometric and foliate decoration in gold or silver and colours and inscribed with
of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f. 1, 99v). Large and small initials in red, some with penwork decoration, one with a face (f. 158). Trilingual Psalter
of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f. 1, 99v). Large and small initials in red, some with penwork decoration, one with a face (f. 158). Trilingual Psalter
of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f. 1, 99v). Large and small initials in red, some with penwork decoration, one with a face (f. 158). Trilingual Psalter
during a speech by the Chevalier sans peur to Meliadus. The attribution to Hélie de Borron in this manuscript (f. 1) is doubtful. The text was composed between 1235 and c.1240.The miniatures, by several Neapolitan artists with French influence, were
during a speech by the Chevalier sans peur to Meliadus. The attribution to Hélie de Borron in this manuscript (f. 1) is doubtful. The text was composed between 1235 and c.1240.The miniatures, by several Neapolitan artists with French influence, were
he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),
he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),
he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),
he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),
he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),
he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),
he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),