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Drawing of David with a lion and bear. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink,
Drawing of the Return of the Prodigal Son. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink,
Detail of a drawing of Jews with the Pascal lamb. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in
Detail of a drawing of the Flagellation. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most
Drawing of Lamech and his wives. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most with
Detail of a drawing of the Resurrection, with angels. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown
Detail of a drawing of the finding of the lost pieces of silver. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings
Drawing of a marriage. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most with captions, and
Detail of a drawing of the Coronation of the Virgin. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in
to the Royal Society in 1667.Inscribed 'H' (f. 1) as in many other Arundel manuscripts.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIII.7.17’,
with foliate extensions into the margin, unfinished, only the pen-drawing executed (ff. 1, 80). 17 roundels including figures or little scenes, unfinished, only the pen-drawing executed (ff. 1, 2, 4, 6, 7, 9, 10v, 11v, 13, 16, 26, 43v, 45v,
with foliate extensions into the margin, unfinished, only the pen-drawing executed (ff. 1, 80). 17 roundels including figures or little scenes, unfinished, only the pen-drawing executed (ff. 1, 2, 4, 6, 7, 9, 10v, 11v, 13, 16, 26, 43v, 45v,
White vine initial. Musical notation. 1 large white vine initial, in colours and gold (f. 1). Smaller and small initials in red with blue or brown pen-flourishing or in blue with red pen-flourishing. Musical treatises Note in French, 18th/19th century
Petrarch standing (f. 29). Decorated border with floral motifs in gold, silver, and colours, and 1 decorated initial in gold and colours (f. 63). 1 small decorated initial in gold and colours (f. 71). Initials in red or blue with
Petrarch standing (f. 29). Decorated border with floral motifs in gold, silver, and colours, and 1 decorated initial in gold and colours (f. 63). 1 small decorated initial in gold and colours (f. 71). Initials in red or blue with
recto] and [2a verso].Hair side and flesh side are distinguishable. Ruling is visible. 1 full-page miniature of a coat of arms, in colours and gold (f. 2v). 1 full foliate border in colours and gold (f. 10). Numerous texts in
recto] and [2a verso].Hair side and flesh side are distinguishable. Ruling is visible. 1 full-page miniature of a coat of arms, in colours and gold (f. 2v). 1 full foliate border in colours and gold (f. 10). Numerous texts in
recto] and [2a verso].Hair side and flesh side are distinguishable. Ruling is visible. 1 full-page miniature of a coat of arms, in colours and gold (f. 2v). 1 full foliate border in colours and gold (f. 10). Numerous texts in
recto] and [2a verso].Hair side and flesh side are distinguishable. Ruling is visible. 1 full-page miniature of a coat of arms, in colours and gold (f. 2v). 1 full foliate border in colours and gold (f. 10). Numerous texts in
recto] and [2a verso].Hair side and flesh side are distinguishable. Ruling is visible. 1 full-page miniature of a coat of arms, in colours and gold (f. 2v). 1 full foliate border in colours and gold (f. 10). Numerous texts in