• Detail of a miniature divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text., Legenda aurea

divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text.

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• Puzzle initial 'A'(pocalipsis), in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Puzzle initial 'P'(ost) with human head, in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Puzzle initial 'P'(ost) with human head, in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Puzzle initial 'A'(pocalipsis), in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Illuminated initial 'A'(nno), with a partial border, at the beginning of book 2., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Illuminated initial 'P'(ost) with a partial border, at the beginning of book 5., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Detail of an angel holding a scroll with a catchword., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Illuminated initial 'D'(a michi), with a full border, at the beginning of the prologue., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Miniature of a debate between a clerk and a knight in a garden, before the king of France and the personifications of Spiritual Power in a Franciscan habit, and Temporal Power represented as a queen, with the author sleeping, at the beginning of the text., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.

• Detail of a miniature of a dialogue between a clerk and a knight, with a full border and a shield bearing the royal arms of France flanked by a lion., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.

• Miniature of a dialogue between a clerk and a knight, and a foliate initial 'M'(anice) with a full border and a shield bearing the royal arms of France flanked by two lions., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.

• Miniature of the king enthroned with a clerk and a knight debating., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.