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Drawing of the Return of the Prodigal Son. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink,
Detail of a drawing of Jews with the Pascal lamb. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in
Detail of a drawing of the Flagellation. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most
Drawing of Lamech and his wives. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most with
Detail of a drawing of the Resurrection, with angels. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown
Detail of a drawing of the finding of the lost pieces of silver. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings
Drawing of a marriage. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most with captions, and
Detail of a drawing of the Coronation of the Virgin. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in
White vine initial. Musical notation. 1 large white vine initial, in colours and gold (f. 1). Smaller and small initials in red with blue or brown pen-flourishing or in blue with red pen-flourishing. Musical treatises Note in French, 18th/19th century
Petrarch standing (f. 29). Decorated border with floral motifs in gold, silver, and colours, and 1 decorated initial in gold and colours (f. 63). 1 small decorated initial in gold and colours (f. 71). Initials in red or blue with
Petrarch standing (f. 29). Decorated border with floral motifs in gold, silver, and colours, and 1 decorated initial in gold and colours (f. 63). 1 small decorated initial in gold and colours (f. 71). Initials in red or blue with
19s. 6d. (Egerton MSS 628-709), and a further 17 lots were purchased subsequently for £2 9s. 6d. (Egerton MSS 710-730). 1 large puzzle initial in red and blue with red pen-flourishing (f. 63). Small initials in blue with red foliate
a simple geometric pattern (f. 1). Initials in red, with penwork decoration. Small initials in red. Opus de Jure, or Pragmatica Acquired in 1834 by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry Egerton,
of a lost Missal. Marginal sketches and notes in French (ff. 27, 61). 1 full-page miniature with full foliate borders, in colours and gold. Added miniature Part 1: Claude de Seyssel (b. c. 1450/55, d. 1520), jurist, advisor to the
notes in French (ff. 27, 61). 1 armorial full-page miniature, in colours and gold (f. 6v). 2 full-page miniatures with large decorated initials and full foliate borders, in colours and gold, for the prologue and the first chapter (ff. 7,
borders. Marginal sketches and notes in French (ff. 27, 61). 1 armorial full-page miniature, in colours and gold (f. 6v). 2 full-page miniatures with large decorated initials and full foliate borders, in colours and gold, for the prologue and the
large foliate initial 'A'(bsolutio) in gold, red, and blue (f. 7). 1 large initial 'I'(hesu) in gold, red, and blue with a partial bar border and floral extensions (f. 1). Smaller initials in gold on red and blue grounds with
Decorated initial. From ff. 48, large and small initials in red or brown, some with red or light brown highlighting. Highlighting of letters in red. Epistolae, imperfect (ff. 1-47v); Auluaria sive Querolus (ff. 72-86v) Sir Hans Sloane (b. 1660,
Petrarch standing (f. 29). Decorated border with floral motifs in gold, silver, and colours, and 1 decorated initial in gold and colours (f. 63). 1 small decorated initial in gold and colours (f. 71). Initials in red or blue with
Petrarch standing (f. 29). Decorated border with floral motifs in gold, silver, and colours, and 1 decorated initial in gold and colours (f. 63). 1 small decorated initial in gold and colours (f. 71). Initials in red or blue with