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(f. 13, vol. 1). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing, one with a face (f. 5v, vol. 1). Paraphs in red or blue. Homilies for Sundays, with table of contents (vol 1, ff. 2-12)
(f. 13, vol. 1). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing, one with a face (f. 5v, vol. 1). Paraphs in red or blue. Homilies for Sundays, with table of contents (vol 1, ff. 2-12)
(f. 13, vol. 1). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing, one with a face (f. 5v, vol. 1). Paraphs in red or blue. Homilies for Sundays, with table of contents (vol 1, ff. 2-12)
(f. 13, vol. 1). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing, one with a face (f. 5v, vol. 1). Paraphs in red or blue. Homilies for Sundays, with table of contents (vol 1, ff. 2-12)
in red (ff. 3-114). Scale of Perfection (Books 1 and 2) Matthew Parker (b. 1504, d. 1575), archbishop of Canterbury and patron of scholarship: his typical red chalk markings on f. 1 (see Wright 1972, p. 268).The Harley Collection, formed
the beginning of book 1 of Guillelmus Gemmeticensis's Gesta Normannorum ducum. 8 large puzzle initials in red and blue with pen-flourishing in blue and red at the beginning of the prologue and the books (ff. 1, 1v, 5, 8, 11,
extensions forming a partial border at the beginning of each book (f. 1, 6, 13, 23v, 32v). Simple initials in red or blue. Paraphs in red or blue. 1 marginal drawing of a face (f. 37). De Consolatione Philosophiae (index
Carthusian abbey of Mainz, 15th century: inscribed 'Iste liber est fr(atru)m Carthus(iensium) p(ro)pe Mogu(n)cia(m)' (f. 1, cf. ff. 61v, 62). Inscribed 'Z 346' (f. 1, crossed through); similar inscriptions consisting of a 'Z' followed by a number are found in
half empty and only framed in blue with gold corners (f. 3). 1 large and 2 smaller decorated initials including heraldic arms, in colours and gold (f. 19). 1 large puzzle initial in red and blue with pen-flourishing in blue
half empty and only framed in blue with gold corners (f. 3). 1 large and 2 smaller decorated initials including heraldic arms, in colours and gold (f. 19). 1 large puzzle initial in red and blue with pen-flourishing in blue
Diagram. f. 1 is a list of contents in Enlgish and Latin in an 18th-century (?) hand. 7 full-page drawings of angels in ink with a yellow or blue wash on parchment (ff. 124-127). 1 full-page drawing in ink (f.
Del Drago family of Rome, at the beginning of Cicero's Epistolae ad familiares. 1 large decorated initial and a full decorated border, in colours and gold (f. 1). Large puzzle initials in red and blue with pen-flourishing in blue and
Decorated initial 'R'(everendo) at the beginning of Walter Burley's Commentary on Aristotle's Politica. 1 large initial in blue with red penwork decoration (f. 1). Small initials alternately blue with red penwork, or red with brown penwork. Paraphs in blue or
puzzle initial 'F'(inem) at the beginning of Cicero's Epistolae ad familiares, book 12. 1 large decorated initial and a full decorated border, in colours and gold (f. 1). Large puzzle initials in red and blue with pen-flourishing in blue and
Initial 'Q'(uintus) with pen-flourishing, at the beginning of Cicero's De amicitia. 1 large initial, in blue with infill and flourishing in red (f. 1). Paraphs in red or blue. De amicitia Unidentified reader, 16th century: at the end of the
1 large white-vine initial including a human head and a three-sided white-vine border with heraldic arms and birds in the lower margin, in colours and gold (f. 1). 2 large white-vine initials with foliate extensions into the margins, in colours
of chapter 1. Catchwords, and bifolium signatures which begin with 'a2' suggesting one missing leaf at the beginning of the volume. 8 foliate initials in colours and gold with foliate borders, at the beginning of each chapter (ff. 1, 25,
in red and blue with foliate or zoomorphic penwork decoration (ff. 1, 18). Large and small initials in plain red, a few with penwork decoration. Capital letters highlighted in red. De apibus Franciscans of Dordrecht, 15th century: inscribed 'liber conventus
in hardpoint.Interlinear and marginal notes.f. 1* is a paper leaf pasted onto a former parchment pastedown. 1 large initial in red and blue (f. 1). Rubrics in red. Capitals marked in yellow. Catiline A note in a humanistic hand, beginning
initials in red and green with yellow, for the different chapters, and for the prologue and the different books (ff. 1, 1v, 15v, 27v, 45, 47v, 61v, 75, 83v, 85, 114, 138, 151v, 160, 168, 183v). Small initials in plain