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Drawing of the Return of the Prodigal Son. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink,
Detail of a drawing of Jews with the Pascal lamb. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in
Detail of a drawing of the Flagellation. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most
Drawing of Lamech and his wives. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most with
Detail of a drawing of the Resurrection, with angels. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown
Detail of a drawing of the finding of the lost pieces of silver. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings
Drawing of a marriage. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most with captions, and
Detail of a drawing of the Coronation of the Virgin. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in
Puzzle initial 'Q'(uoniam), at the beginning of Ioannes Serapion's Liber aggregationum. Large puzzle initials in red and blue with pen-flourishing in blue and red. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Medical treatises,
White vine initial. Musical notation. 1 large white vine initial, in colours and gold (f. 1). Smaller and small initials in red with blue or brown pen-flourishing or in blue with red pen-flourishing. Musical treatises Note in French, 18th/19th century
Canon table with foxes and a bird. The conclusions of each section of text are written in geometric shapes.Part of the 'Nicaea School', (see Carr 2005 p. 40).ff. 1* and 269 are paper leaves. 22 full-page or large miniatures
Canon table with birds. The conclusions of each section of text are written in geometric shapes.Part of the 'Nicaea School', (see Carr 2005 p. 40).ff. 1* and 269 are paper leaves. 22 full-page or large miniatures in colours and
Miniature of the Nativity. The conclusions of each section of text are written in geometric shapes.Part of the 'Nicaea School', (see Carr 2005 p. 40).ff. 1* and 269 are paper leaves. 22 full-page or large miniatures in colours and
Miniature of the Transfiguration. The conclusions of each section of text are written in geometric shapes.Part of the 'Nicaea School', (see Carr 2005 p. 40).ff. 1* and 269 are paper leaves. 22 full-page or large miniatures in colours and
Miniature of the Last Supper. The conclusions of each section of text are written in geometric shapes.Part of the 'Nicaea School', (see Carr 2005 p. 40).ff. 1* and 269 are paper leaves. 22 full-page or large miniatures in colours
19s. 6d. (Egerton MSS 628-709), and a further 17 lots were purchased subsequently for £2 9s. 6d. (Egerton MSS 710-730). 1 large puzzle initial in red and blue with red pen-flourishing (f. 63). Small initials in blue with red foliate
etc. James Orchard Halliwell-[Phillipps] (b. 1820, d. 1889), antiquary and literary scholar: inscription 'Bib. Hall. 63' (f. 1); his stamp 'Bibliotheca Halliwelliana' (ff. 1, 46v); catalogued for sale, 27 June 1840, lot 66, but withdrawn, along with the other manuscripts,
a simple geometric pattern (f. 1). Initials in red, with penwork decoration. Small initials in red. Opus de Jure, or Pragmatica Acquired in 1834 by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry Egerton,
from 1341-1501 (f. 127v); 1400-1500 (f. 128v). 1 full border in red, blue, white, and gold, with foliate decoration (f. 14). 12 large initials in gold on red and blue grounds with white filigree, and sprays (ff. 14, 17v, 20,
1341-1501 (f. 127v); 1400-1500 (f. 128v). 1 full border in red, blue, white, and gold, with foliate decoration (f. 14). 12 large initials in gold on red and blue grounds with white filigree, and sprays (ff. 14, 17v, 20, 21v,