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Unexecuted drawing, with captions for the three mighty men bringing water to David. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings
Drawing of David with a lion and bear. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink,
Drawing of the Return of the Prodigal Son. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink,
Detail of a drawing of Jews with the Pascal lamb. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in
Detail of a drawing of the Flagellation. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most
Drawing of Lamech and his wives. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most with
Detail of a drawing of the Resurrection, with angels. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown
Detail of a drawing of the finding of the lost pieces of silver. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings
Drawing of a marriage. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most with captions, and
Detail of a drawing of the Coronation of the Virgin. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in
White vine initial. Musical notation. 1 large white vine initial, in colours and gold (f. 1). Smaller and small initials in red with blue or brown pen-flourishing or in blue with red pen-flourishing. Musical treatises Note in French, 18th/19th century
19s. 6d. (Egerton MSS 628-709), and a further 17 lots were purchased subsequently for £2 9s. 6d. (Egerton MSS 710-730). 1 large puzzle initial in red and blue with red pen-flourishing (f. 63). Small initials in blue with red foliate
of a lost Missal. Marginal sketches and notes in French (ff. 27, 61). 1 full-page miniature with full foliate borders, in colours and gold. Added miniature Part 1: Claude de Seyssel (b. c. 1450/55, d. 1520), jurist, advisor to the
notes in French (ff. 27, 61). 1 armorial full-page miniature, in colours and gold (f. 6v). 2 full-page miniatures with large decorated initials and full foliate borders, in colours and gold, for the prologue and the first chapter (ff. 7,
borders. Marginal sketches and notes in French (ff. 27, 61). 1 armorial full-page miniature, in colours and gold (f. 6v). 2 full-page miniatures with large decorated initials and full foliate borders, in colours and gold, for the prologue and the
Decorated initial. From ff. 48, large and small initials in red or brown, some with red or light brown highlighting. Highlighting of letters in red. Epistolae, imperfect (ff. 1-47v); Auluaria sive Querolus (ff. 72-86v) Sir Hans Sloane (b. 1660,
on the verso.There is a pastedown with an inscription on f. 1. Ruled in hardpoint. Quire signatures: A, B, etc. Written in Italy, possibly Venice c. 1420, according to unpublished notes of A. C. de la Mare at the Bodleian
and pink large initials on a gold background with a three-sided foliate border (ff. 1, 47). Gold initial and text have been rubbed away (f. 1). Large blue initials with red pen-flourishing at the beginning of each chapter. Job and
Robert Fuller and divided into 5 volumes. This was the first volume, as suggested by a 18th-cent. note (f. 1). Its contents relate to the abbey's rights and privileges in churches, manors and forests and include numerous royal and episcopal
salutaribus documentis~ff. 66v-97v: ~De Vita Christiana~ff. 97v-100v: ~De Creatione~ff. 97v-199v (incomplete): ~De Duodecim Abusionibus~ 1 puzzle initial in red and blue with red pen-flourishing (f. 1). Blue initials with red pen-flourishing at the beginning of each section. Paraphs and chapter